The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Seite 22
... the inconfiftence of that parenthefis which ftiles the future world An undiscovered country , from whose bourne No traveller returns . Notwithanding Notwithstanding the mafter - spring of this very play is 22 The DRAMATIC CENSOR .
... the inconfiftence of that parenthefis which ftiles the future world An undiscovered country , from whose bourne No traveller returns . Notwithanding Notwithstanding the mafter - spring of this very play is 22 The DRAMATIC CENSOR .
Seite 56
... whose chief wish is to repair a fhat- tered fortune , and obtain pleasure at any rate , ha- zarding honefty for the one , and focial , as well as moral obligation for the other ; his attack upon Cherry may pafs , but his romantic one ...
... whose chief wish is to repair a fhat- tered fortune , and obtain pleasure at any rate , ha- zarding honefty for the one , and focial , as well as moral obligation for the other ; his attack upon Cherry may pafs , but his romantic one ...
Seite 81
... whose wife had refused one of them chefnuts , ftrike every feeling mind with fympathetic terror ; their preparation for Macbeth has fomething myftically folemn in it . 4 The notice taken of these odd appearances by Banquo , is fuch as ...
... whose wife had refused one of them chefnuts , ftrike every feeling mind with fympathetic terror ; their preparation for Macbeth has fomething myftically folemn in it . 4 The notice taken of these odd appearances by Banquo , is fuch as ...
Seite 145
... first comes on , gives great scope of natural and powerful action in Othello , whose jealousy pre- dominates over every other confideration ; Iago's VOL I. U giving [ Othello . giving a bad impreffion of him to The DRAMATIC CENSOR . 145.
... first comes on , gives great scope of natural and powerful action in Othello , whose jealousy pre- dominates over every other confideration ; Iago's VOL I. U giving [ Othello . giving a bad impreffion of him to The DRAMATIC CENSOR . 145.
Seite 161
... whose tune it has borrowed . Rofetta's foliloquy , examining into the state of her heart , is pretty enough ; the enfuing fcene be- tween her and Young Meadows alfo , has a fhare of fpirited natural pleasantry ; that reciprocal pride ...
... whose tune it has borrowed . Rofetta's foliloquy , examining into the state of her heart , is pretty enough ; the enfuing fcene be- tween her and Young Meadows alfo , has a fhare of fpirited natural pleasantry ; that reciprocal pride ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia