Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Bände 1-25;Band 154Laurie Lanzen Harris, Mark Scott Gale Research Company, 1986 - 680 Seiten "Volumes 1 through 10 of the series present a unique historical overview of the critical response to each Shakespearean work, representing a broad range of interpretations. Volumes 11 through 26 recount the performance history of Shakespeare's plays on th stage and screen through eyewitness reviews and retrospective evaluations of individual productions, comparisons of major interpretations, and discussions of staging issues. Beginning with Volume 27 in the series, SC focuses on criticism published after 1960, with a view to providing the reader with the most significant modern critical approaches. Each of these volumes is organized around a theme that is central to the study of Shakespeare, such as politics, religion, or sexuality." [Scope of the Series note, vol. 37.] |
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Seite 167
... witches in Macbeth also continued throughout the nineteenth century , al- though the discussion no longer centered on the appropriateness of their representation , but rather on the degree of their influ- ence on Macbeth . Like Whately ...
... witches in Macbeth also continued throughout the nineteenth century , al- though the discussion no longer centered on the appropriateness of their representation , but rather on the degree of their influ- ence on Macbeth . Like Whately ...
Seite 201
... witches , and developed to murder in the Castle of Macbeth . On the contrary , every line goes to prove that evil has been long contemplated there , and has only awaited a favorable opportunity .... Banquo enters [ II , i ] with his son ...
... witches , and developed to murder in the Castle of Macbeth . On the contrary , every line goes to prove that evil has been long contemplated there , and has only awaited a favorable opportunity .... Banquo enters [ II , i ] with his son ...
Seite 215
... Witches , whose contribution to the ' atmosphere ' of Macbeth can hardly be exaggerated , are cred- ited with far to great an influence upon the action ; sometimes they are described as goddesses , or even fates , whom Macbeth is ...
... Witches , whose contribution to the ' atmosphere ' of Macbeth can hardly be exaggerated , are cred- ited with far to great an influence upon the action ; sometimes they are described as goddesses , or even fates , whom Macbeth is ...
Inhalt
Henry VI Parts 1 2 and | 11 |
Macbeth | 165 |
A Midsummer Nights Dream | 356 |
Urheberrecht | |
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A. C. Bradley action ambition appears argues audience Banquo becomes beth blood Cade character chronicle contrast crime critics crown darkness death deed dramatic dramatist Duke E. M. W. Tillyard Edward England English essay date evil excerpt fairies father fear feel forces French Gervinus Gloucester Hamlet hand Henry VI plays Henry VI trilogy Henry's Hermann Ulrici hero horror house of York human imagery images imagination innocent Jack Cade Joan killed King Henry Lady Macbeth Lear Macduff Malcolm Margaret Midsummer Night's Dream mind moral murder of Duncan nature night noble passage pity play's plot poet poetic poetry political present Queen Richard Richard III scene sense Shake Shakespeare Shakspere sleep soliloquy soul speare speare's speech spirit Suffolk suggested symbol Talbot theme Theseus thou thought throne tragedy tragic Warwick Weird Sisters whole wife William Shakespeare Wilson Knight witches words York York's