Radio Drama: Theory and PracticePsychology Press, 1999 - 296 Seiten Radio Drama brings together the practical skills needed for radio drams, such as directing, writing and sound design, with media history and communication theory. Challenging the belief that sound drama is a 'blind medium', Radio Drama shows how experimentation in radio narrative has blurred the dividing line between fiction and reality in modern media. Using extracts from scripts and analysing radio broadcasts from America, Britain, Canada and Australia, the book explores the practicalities of producing drama for radio. Tim Crook illustrates how far radio drama has developed since the first 'audiophonic production' and evaluates the future of radio drama in the age of live phone-ins and immedate access to programmes on the Internet. |
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Inhalt
A New Media History Perspective through Audio Drama | 3 |
Radio Drama as Modernity | 12 |
The Six Ages of Audio Drama and the Internet Epoch | 21 |
From Sound Houses to the Phonograph Sound Play 30 | 30 |
A Technological Timeline | 37 |
Radio Drama is Not a Blind Medium 53 | 53 |
Sound Design Vocabulary 70 | 70 |
The Cinematic and Musical Inspiration | 90 |
The Writing Agenda for Audio Drama | 151 |
Creating the Character and Effective Use of Characterisation | 183 |
Writing Dialogue | 188 |
Part V | 199 |
The Phantom Distinction | 201 |
Making the Documentary Feature | 213 |
PartVI THE PRACTICE AND THEORY OF DIRECTING AND PERFORMANCE | 233 |
Directorial Responsibility | 235 |
Part III | 103 |
Blurring Fiction with Reality | 105 |
a crosscultural phenomenon | 115 |
Moving from Burlesque to Propaganda and News | 121 |
Spoonface Steinberg? | 136 |
constructing the Holocaust as a means of identification | 144 |
Part IV | 149 |
Managing the Production | 240 |
Experimental Direction and Performance | 246 |
Notes | 251 |
269 | |
288 | |
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Häufige Begriffe und Wortgruppen
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