Shakespeare and the Modern Stage with Other EssaysLibrary of Alexandria, 28.09.2020 |
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... But the prophetsof evil, who were nogreater strangers to Phelps's generationthan they are to ourown, were themselves confuted by his experience. On the27thof May1844Phelps, a most intelligent actor and a seriousstudentof Shakespeare ...
... But the prophetsof evil, who were nogreater strangers to Phelps's generationthan they are to ourown, were themselves confuted by his experience. On the27thof May1844Phelps, a most intelligent actor and a seriousstudentof Shakespeare ...
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... But the crucialpoint ofthe utterance is the warning that the illusion ofthe drama canonlybe rendered complete in the theatreby the workingof the "imaginary forces" of the spectators.It is needfulfor themto"make imaginary puissance," if ...
... But the crucialpoint ofthe utterance is the warning that the illusion ofthe drama canonlybe rendered complete in the theatreby the workingof the "imaginary forces" of the spectators.It is needfulfor themto"make imaginary puissance," if ...
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... But the standard of propriety in such matters varies from age to age. Shakespeare alludes quite complacently tothe appearance of boysand men in women's parts. He makes Rosalindsay, laughingly and saucily, to themen ofthe audienceinthe ...
... But the standard of propriety in such matters varies from age to age. Shakespeare alludes quite complacently tothe appearance of boysand men in women's parts. He makes Rosalindsay, laughingly and saucily, to themen ofthe audienceinthe ...
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... spectator because he was ableto realise the dramatic potency ofthe poet's work without any,or any but the slightest, adventitious aid outsidethe words of the play. The Elizabethan playgoer needs no pity. It is ourselves who.
... spectator because he was ableto realise the dramatic potency ofthe poet's work without any,or any but the slightest, adventitious aid outsidethe words of the play. The Elizabethan playgoer needs no pity. It is ourselves who.
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... But the reception accorded toShakespeare's playsinthetheatre of hisday, in contemporarytheatrical conditions, is proofpositive of a signal imaginative faculty in an exceptionally large proportion ofthe playgoers. To theElizabethan actor ...
... But the reception accorded toShakespeare's playsinthetheatre of hisday, in contemporarytheatrical conditions, is proofpositive of a signal imaginative faculty in an exceptionally large proportion ofthe playgoers. To theElizabethan actor ...
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acting actormanager actors admiration andthe artistic atthe audience Bacon Beeston Ben Jonson Benson's Betterton biographer butthe bythe character comedy commemoration contemporary countrymen critical Cymbeline D'Avenant dramatic art dramatist Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French fromthe genius George Peele Hamlet Henry hewas histrionic honour Iago imagination inhis inLondon intelligent inthe isnot isthe Itis itwas Jonson Julius Cæsar King literature London London County Council Love's Labour's Lost Macbeth manager memorial of Shakespeare modern monument municipal theatre never ofhis ofthe oneof onthe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps's philosophy playhouse poet poet's poetry production realise rendered reputation Richard II rôle scenery scenic sentiment Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama Shoreditch Sir Frederick Bridge spectacular speech stage Stratford StratfordonAvon thatthe theatrical enterprise thegreat thestage tobe today tothe tragedies wasnot whichis whichthe William Beeston witha withthe writing