Shakespeare and the Modern Stage with Other EssaysLibrary of Alexandria, 28.09.2020 |
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Sir Sidney Lee. PREFACE. The eleven papers which are collected here were written between 1899 and 1905. With the exceptionofone,entitled "Aspects of Shakespeare's Philosophy,"whichis now printed for the first time, they were published in ...
Sir Sidney Lee. PREFACE. The eleven papers which are collected here were written between 1899 and 1905. With the exceptionofone,entitled "Aspects of Shakespeare's Philosophy,"whichis now printed for the first time, they were published in ...
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... in thegeneral theatricalsituation. My aim istodeal with dominant principleswhich underlie the past andpresent situation, rather than with particular episodes or personalities, thereal valueof which the future has yet to determine. My ...
... in thegeneral theatricalsituation. My aim istodeal with dominant principleswhich underlie the past andpresent situation, rather than with particular episodes or personalities, thereal valueof which the future has yet to determine. My ...
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Sir Sidney Lee. lend themselves in his opinion to more or less ostentatious spectacle, and to the interpolation of music and dancing. It is ... the stagepresentation necessarily reliesto a very large extent for its success on the realism of.
Sir Sidney Lee. lend themselves in his opinion to more or less ostentatious spectacle, and to the interpolation of music and dancing. It is ... the stagepresentation necessarily reliesto a very large extent for its success on the realism of.
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Sir Sidney Lee. very large extent for its success on the realism of the scenic appliances. In plays which, dealing with the universal and less familiar conditions of life, appeal to the highest faculties of thought and imagination, ...
Sir Sidney Lee. very large extent for its success on the realism of the scenic appliances. In plays which, dealing with the universal and less familiar conditions of life, appeal to the highest faculties of thought and imagination, ...
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Sir Sidney Lee. of the true significance of drama. No valid reason can be adduced why persons should appear on the stage who are not precisely indicated by the text of the play or by the authentic stage directions.When Cæsar isburied, it ...
Sir Sidney Lee. of the true significance of drama. No valid reason can be adduced why persons should appear on the stage who are not precisely indicated by the text of the play or by the authentic stage directions.When Cæsar isburied, it ...
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acting actormanager actors admiration andthe artistic atthe audience Bacon Beeston Ben Jonson Benson's Betterton biographer butthe bythe character comedy commemoration contemporary countrymen critical Cymbeline D'Avenant dramatic art dramatist Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French fromthe genius George Peele Hamlet Henry hewas histrionic honour Iago imagination inhis inLondon intelligent inthe isnot isthe Itis itwas Jonson Julius Cæsar King literature London London County Council Love's Labour's Lost Macbeth manager memorial of Shakespeare modern monument municipal theatre never ofhis ofthe oneof onthe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps's philosophy playhouse poet poet's poetry production realise rendered reputation Richard II rôle scenery scenic sentiment Shakespeare's career Shakespeare's death Shakespeare's plays Shakespearean drama Shoreditch Sir Frederick Bridge spectacular speech stage Stratford StratfordonAvon thatthe theatrical enterprise thegreat thestage tobe today tothe tragedies wasnot whichis whichthe William Beeston witha withthe writing