Shakespeare and the Modern Stage with Other EssaysLibrary of Alexandria, 28.09.2020 |
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... different points of view: but there is always as reasonable a chance that the efficient actor may disclose the full significance of some speech or scene which escapes the efficient student, as that I SHAKESPEARE AND THE MODERN STAGE ...
... different points of view: but there is always as reasonable a chance that the efficient actor may disclose the full significance of some speech or scene which escapes the efficient student, as that I SHAKESPEARE AND THE MODERN STAGE ...
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Sir Sidney Lee. speech or scene which escapes the efficient student, as that the student may supply the actor's lack of insight. It is, indeed, comparatively easy for a student of literature to support the proposition that Shakespeare ...
Sir Sidney Lee. speech or scene which escapes the efficient student, as that the student may supply the actor's lack of insight. It is, indeed, comparatively easy for a student of literature to support the proposition that Shakespeare ...
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... speeches in the progress of the play. There was no making love, nor any dying to slow music, although the stage directions were followed scrupulously; the song "Come, thou Monarch of the Vine," was sung to music in the drinking scene on ...
... speeches in the progress of the play. There was no making love, nor any dying to slow music, although the stage directions were followed scrupulously; the song "Come, thou Monarch of the Vine," was sung to music in the drinking scene on ...
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... stage as drama or spectacle. Nay, I go further, and assert that, as far as the speech touches the question at issue at all, it tells against the pretensions of spectacle. Shortly stated, Shakespeare's splendid prelude to his play of Henry.
... stage as drama or spectacle. Nay, I go further, and assert that, as far as the speech touches the question at issue at all, it tells against the pretensions of spectacle. Shortly stated, Shakespeare's splendid prelude to his play of Henry.
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... speech is the essential limitations of all scenic appliances. The dramatist reminds us that the literal presentation of life itself, in all its movement and action, lies outside the range of the stage, especially the movement and action ...
... speech is the essential limitations of all scenic appliances. The dramatist reminds us that the literal presentation of life itself, in all its movement and action, lies outside the range of the stage, especially the movement and action ...
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Häufige Begriffe und Wortgruppen
acting actor actors and actresses admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography character Charles classical comedy contemporary countrymen critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Ducis Elizabethan Elizabethan playgoer endeavour England English erect experience France French genius George Peele Hamlet Henry histrionic honour human imagination interest Jonson Julius Cæsar King literary drama literature London County Council Love's Labour's Lost Lowin Macbeth manager memorial of Shakespeare methods modern monument moral municipal theatre natural never oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps Phelps's philosophy piece play of Shakespeare playhouse poet poet's poetic poetry present principles produced realise rendered reputation Richard II rôles Sadler's Wells Theatre scene scenery scenic sentiment seventeenth century Shakespeare in London Shakespeare's plays Shakespearean drama Shoreditch spectacular speech stage Stratford Stratford-on-Avon theatrical enterprise tragedy Twelfth Night William Beeston writing wrote