No. 122. SATURDAY, MAY 18, 1751. Nescio qua natale solum dulcedine cunctos OVID. By secret charms our native land attracts. NOTHING is more subject to mistake and disap pointment than anticipated judgment concerning the easiness or difficulty of any undertaking, whe ther we form our opinion from the performance of others, or from abstracted contemplation of the thing to be attempted. Whatever is done skilfully appears to be done with ease; and art, when it is once matured to habit, vanishes from observation. We are therefore more powerfully excited to emulation, by those who have attained the highest degree of excellence, and whom we can therefore with least reason hope to equal. In adjusting the probability of success by a previous consideration of the undertaking, we are equally in danger of deceiving ourselves. It is never easy, nor often possible, to comprise the series of any process with all its circumstances, in cidents, and variations, in a speculative scheme. Experience soon shows us the tortuosities of ima ginary rectitude, the complications of simplicity, and the asperities of smoothness. Sudden difficulties often start up from the ambushes of art, stop the career of activity, repress the gaiety of confi dence, and when we imagine ourselves almost at the end of our labours, drive us back to new plans and different measures. There are many things which we every day see others unable to perform, and perhaps have even ourselves miscarried in attempting; and yet can hardly allow to be difficult; nor can we forbear to wonder afresh at every new failure, or to promise certainty of success to our next essay; but when we try, the same hindrances recur, the same inability is perceived, and the vexation of disappointment must again be suffered. 1 Of the various kinds of speaking or writing, which serve necessity, or promote pleasure, none appears so artless or easy as simple narration; for what should make him that knows the whole order and progress of an affair unable to relate it? Yet we hourly find such as endeavour to entertain or instruct us by recitals, clouding the facts which they intend to illustrate, and losing themselves and their auditors in wilds and mazes, in digression and confusion. When we have congratulated ourselves upon a new opportunity of inquiry, and new means of information, it often happens, that without designing either deceit or concealment, without ignorance of the fact, or unwillingness to disclose it, the relator fills the ear with empty sounds, harasses the attention with fruitless impatience, and disturbs the imagination by a tumult of events, without order of time, or train of consequence. It is natural to believe, upon the same principle, that no writer has a more easy task than the historian. The philosopher has the works of omni science to examine; and is therefore engaged in disquisitions, to which finite intellects are utterly unequal. The poet trusts to his invention, and is not only in danger of those inconsistencies, to which every one is exposed by departure from truth; but may be censured as well for deficiencies of matter, as for irregularity of disposition, or impropriety of ornament. But the happy historian has no other labour than of gathering what tradition pours down before him, or records treasure for his use. He has only the actions and designs of men like himself to conceive and to relate; he is not to form, but copy characters, and therefore is not blamed for the inconsistency of statesmen, the injustice of tyrants, or the cowardice of commanders. The difficulty of making variety consistent, or uniting probability with surprise, needs not to disturb him; the manners and actions of his personages are already fixed; his materials are provided and put into his hands, and he is at leisure to employ all his powers in arranging and displaying them. Yet, even with these advantages, very few in any age have been able to raise themselves to reputation by writing histories: and among the innumerable authors, who fill every nation with accounts of their ancestors, or undertake to transmit to futurity the events of their own time, the greater part, when fashion and novelty have ceased to recommend them, are of no other use than chronological memorials, which necessity may sometimes require to be consulted, but which fright away curiosity, and disgust delicacy. It is observed, that our nation, which has produced so many anthors eminent for almost every other species of literary excellence, has been hitherto remarkably barren of historical genius; and so far has this defect raised prejudices against us, that some have doubted whether an Englishman can stop at that mediocrity of style, or confine his mind to that even tenor of imagination, which narrative requires. They who can believe that nature has so capriciously distributed understanding, have surely no claim to the honour of serious confutation. The inhabitants of the same country have opposite chas racters in different ages; the prevalence or neglect of any particular study can proceed only from the accidental influence of some temporary cause; and if we have failed in history, we can have failed only because history has not hitherto been diligently cultivated. But how is it evident, that we have not histo rians among us, whom we may venture to place in comparison with any that the neighbouring nations can produce? The attempt of Raleigh is deservedly celebrated for the labour of his researches, and the elegance of his style; but he has endea voured to exert his judgment more than his genius, to select facts, rather than adorn them; and has produced an historical dissertation, but seldom risen to the majesty of history. The works of Clarendon deserve more regard His diction is indeed neither exact in itself, nor suited to the purpose of history. It is the effusion of a mind crowded with ideas, and desirous of imparting them; and therefore always accumu lating words, and involving one clause and sentence in another. But there is in his negligence a rude inartificial majesty, which, without the nicety of laboured elegance, swells the mind by its plenitude and diffusion. His narration is not perhaps sufficiently rapid, being stopped too frequently by particularities, which, though they might strike the author who was present at the transactions, will not equally detain the attention of posterity. But his ignorance or carelessness of the art of writing is amply compensated by his knowledge of nature and of policy; the wisdom of his maxims, the justness of his reasonings, and the variety, distinctness, and strength of his characters. But none of our writers can, in my opinion, justly contest the superiority of Knolles, who, in his history of the Turks, has displayed all the excellencies that narration can admit. His style, though somewhat obscured by time, and sometimes vitiated by false wit, is pure, nervous, elevated, and clear. A wonderful multiplicity of events is so artfully arranged, and so distinctly explained, that each facilitates the knowledge of the next. Whenever a new personage is introduced the reader is prepared by his character for his actions; when a nation is first attacked, or city besieged, he is made acquainted with its history, or situation; so that a great part of the world is brought into view. The descriptions of this author are without minuteness, and the digressions without ostentation. Collateral events are so artfully woven into the contexture of his principal story, that they cannot be disjoined |