Orientation to the Theater

acters acting action actor AEACUS Aeschylus appearance architecture ARGAN Aristophanes Aristotle Aristotle's aspects atmosphere audience behavior BERNARDO char characters chorus climax comedy comic complete contemporary conventions costume create devices dialogue Dionysus director Doll's House dramatist effect Elizabethan emotional environment Eugene O'Neill example experience expression expressionism expressionist farce feeling forms of drama ghost give Greek Hamlet Harold Clurman hero high comedy Horatio Ibsen's ideas inner interpretation Jo Mielziner kind language laughter light lines living MARCELLUS meaning medieval Meierhold melodrama ment method modern Molière motion picture movement naturalist nature nineteenth century Nora Oedipus Oedipus Rex performance physical physical theater play playwright playwriting plot production protagonist realistic rehearsal Reprinted by permission result reveal Robert Edmond Jones role scene scenery Shakespeare significant situations social soliloquy Sophocles spectator speech stage Stanislavski story structure style suggested symbolic techniques theater theatrical tion TOINETTE tragedy tragic visual writer XANTHIAS York