A Guide to Writing HistoryWriter's digest, 1976 - 258 Seiten |
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Seite 103
... characters think and act in their own time and situation . In their speech or customs or reaction to any situation , there must be no hint of events to come or of changes in mores . They can know only what they see or feel or are told ...
... characters think and act in their own time and situation . In their speech or customs or reaction to any situation , there must be no hint of events to come or of changes in mores . They can know only what they see or feel or are told ...
Seite 155
... characters may be invented and set in a framework of historical events , in which some real people may have what in the picture industry is called " a cameo role . " I cannot say too often that you must never put a real person into a ...
... characters may be invented and set in a framework of historical events , in which some real people may have what in the picture industry is called " a cameo role . " I cannot say too often that you must never put a real person into a ...
Seite 156
... characters in the situation and describing how they act , rather than featuring a real historic figure as the main character . When writing fiction based on history , you must know where history ends and where fiction can legitimately ...
... characters in the situation and describing how they act , rather than featuring a real historic figure as the main character . When writing fiction based on history , you must know where history ends and where fiction can legitimately ...
Inhalt
Writing History For Todays Readers | 1 |
Using your own experience Things you see Conversations with | 19 |
The Historian As Explorer | 48 |
Urheberrecht | |
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