Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethGood Press, 19.11.2019 - 486 Seiten A.C. Bradley's 'Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth' is a classic work of literary criticism that delves deep into the tragedies of Shakespeare's most iconic plays. Bradley's scholarly analysis explores the themes, characters, and dramatic techniques used in these plays, shedding new light on their complex meanings and enduring relevance. Written in a clear and engaging style, this book is a must-read for anyone interested in understanding the genius of Shakespeare's tragic works within their historical and literary context. Bradley's insightful commentary offers valuable insights into the depth and complexity of Shakespeare's characters, making this book essential reading for students and enthusiasts of Elizabethan literature. A.C. Bradley's expertise and passion for Shakespeare shine through in this comprehensive study, making it a seminal work in the field of Shakespearean criticism. I highly recommend 'Shakespearean Tragedy' to anyone looking to deepen their understanding of the Bard's most famous tragedies. |
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... least, as in Romeo and Juliet, with members of great houses, whose quarrels are of public moment. There is a decided difference here between Othello and our three other tragedies, but it is not a difference of kind. Othello himself is ...
... least, as in Romeo and Juliet, with members of great houses, whose quarrels are of public moment. There is a decided difference here between Othello and our three other tragedies, but it is not a difference of kind. Othello himself is ...
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... least may be said of the principal persons, and, among them, of the hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from the first. Men, from ...
... least may be said of the principal persons, and, among them, of the hero, who always contributes in some measure to the disaster in which he perishes. This second aspect of tragedy evidently differs greatly from the first. Men, from ...
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... all these cases the great majority of the dramatis personae fall without difficulty into antagonistic groups, and the conflict between these groups ends with the defeat of the hero. Yet one cannot help feeling that in at least one.
... all these cases the great majority of the dramatis personae fall without difficulty into antagonistic groups, and the conflict between these groups ends with the defeat of the hero. Yet one cannot help feeling that in at least one.
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... least as much as the conflict between them, is the conflict within one of them. And so it is, though not in the same degree, with Antony and Cleopatra and even with Othello; and, in fact, in a certain measure, it is so with nearly all ...
... least as much as the conflict between them, is the conflict within one of them. And so it is, though not in the same degree, with Antony and Cleopatra and even with Othello; and, in fact, in a certain measure, it is so with nearly all ...
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... least, the desire for the hero's ruin. The tragic hero with Shakespeare, then, need not be 'good,' though generally he is 'good' and therefore at once wins sympathy in his error. But it is necessary that he should have so much of ...
... least, the desire for the hero's ruin. The tragic hero with Shakespeare, then, need not be 'good,' though generally he is 'good' and therefore at once wins sympathy in his error. But it is necessary that he should have so much of ...
Inhalt
SHAKESPEARES TRAGIC PERIODHAMLET | |
LECTURE IV | |
LECTURE VI | |
LECTURE VII | |
LECTURE VIII | |
LECTURE IX | |
LECTURE X | |
NOTE | |
NOTE C | |
NOTE | |
NOTE | |
Andere Ausgaben - Alle anzeigen
Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley Eingeschränkte Leseprobe - 2020 |
Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth A. C. Bradley Eingeschränkte Leseprobe - 2022 |
Shakespearean Tragedy; Lectures on Hamlet, Othello, King Lear, Macbeth A. C. Bradley Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely Table of Contents thee things thou thought Timon tragedy tragic Troilus and Cressida truth whole wife Witches words