Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethGood Press, 19.11.2019 - 486 Seiten "Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth" by A. C. Bradley. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format. |
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... leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, inter-relations of his various works. Even what may be called, in a restricted ...
... leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, inter-relations of his various works. Even what may be called, in a restricted ...
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... leave out of account, because, even if Shakespeare wrote the whole of it, he did so before he had either a style of his own or any characteristic tragic conception. Timon stands on a different footing. Parts of it are unquestionably ...
... leave out of account, because, even if Shakespeare wrote the whole of it, he did so before he had either a style of his own or any characteristic tragic conception. Timon stands on a different footing. Parts of it are unquestionably ...
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... leave the 'action,' however, there is another question that may usefully be asked. Can we define this 'action' further by describing it as a conflict? The frequent use of this idea in discussions on tragedy is ultimately due, I suppose ...
... leave the 'action,' however, there is another question that may usefully be asked. Can we define this 'action' further by describing it as a conflict? The frequent use of this idea in discussions on tragedy is ultimately due, I suppose ...
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... leave us crushed, rebellious or desperate. These statements will be accepted, I believe, by any reader who is in touch with Shakespeare's mind and can observe his own. Indeed such a reader is rather likely to complain that they are ...
... leave us crushed, rebellious or desperate. These statements will be accepted, I believe, by any reader who is in touch with Shakespeare's mind and can observe his own. Indeed such a reader is rather likely to complain that they are ...
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... leave us rebellious or desperate is due to a more or less distinct perception that the tragic suffering and death arise from collision, not with a fate or blank power, but with a moral power, a power akin to all that we admire and ...
... leave us rebellious or desperate is due to a more or less distinct perception that the tragic suffering and death arise from collision, not with a fate or blank power, but with a moral power, a power akin to all that we admire and ...
Inhalt
SHAKESPEARES TRAGIC PERIODHAMLET | |
LECTURE IV | |
LECTURE VI | |
LECTURE VII | |
LECTURE VIII | |
LECTURE IX | |
LECTURE X | |
NOTE | |
NOTE C | |
NOTE | |
NOTE | |
Andere Ausgaben - Alle anzeigen
Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley Eingeschränkte Leseprobe - 2020 |
Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth A. C. Bradley Eingeschränkte Leseprobe - 2022 |
Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth A. C. Bradley Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech suggest suppose surely Table of Contents thee things thou thought Timon tragedy tragic Troilus and Cressida truth whole wife Witches words