Indian Literary Theories: A ReappraisalMeharchand Lachhmandas Publications, 1985 - 290 Seiten |
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Seite 123
... Bhaṭṭa Nayaka is talking here only of rasanāsvabhāva - dhvanana - vyāpāra in other words , he has said nothing original ; if he is talking only of abhidha , then it is to be rejected . This doubt is pertinent in the light of the other ...
... Bhaṭṭa Nayaka is talking here only of rasanāsvabhāva - dhvanana - vyāpāra in other words , he has said nothing original ; if he is talking only of abhidha , then it is to be rejected . This doubt is pertinent in the light of the other ...
Seite 124
... Bhaṭṭa Tauta would say.2 Now we can see how the whole edifice of Bhaṭṭa Nayaka's vyāpāra - prādhānya - vāda is built on the foundation of what Bharata called lakṣaṇa . When Abhinavagupta faced the task of explaining Bharata's chapter on ...
... Bhaṭṭa Tauta would say.2 Now we can see how the whole edifice of Bhaṭṭa Nayaka's vyāpāra - prādhānya - vāda is built on the foundation of what Bharata called lakṣaṇa . When Abhinavagupta faced the task of explaining Bharata's chapter on ...
Seite 211
... Bhaṭṭa Nāyaka , Kuntaka , Abhinavagupta and Mahimabhaṭṭa . Among these , again , while Abhinavagupta is an able advocate of the dhvani school , Mahi- mabhaṭṭa , the logician , denies dhvani ( suggestion ) and explains it easily as a ...
... Bhaṭṭa Nāyaka , Kuntaka , Abhinavagupta and Mahimabhaṭṭa . Among these , again , while Abhinavagupta is an able advocate of the dhvani school , Mahi- mabhaṭṭa , the logician , denies dhvani ( suggestion ) and explains it easily as a ...
Inhalt
Indian and Western Approaches to Aesthetics | 3 |
Anandavardhana | 16 |
Indian and Western Poetics | 34 |
Urheberrecht | |
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Abhinavagupta accepted according aesthetic alankara analysis Anandavardhana ancient appear artha artistic attempts attention beauty becomes Bharata Bhaṭṭa bhāva body called century characters classical common concepts creative criticism definition delight described deserves dhvani drama earlier elements emotion equally essence example experience explain expression fact feeling figures give given hand Hence human idea illustrate imagination important Indian instances involved Kālidāsa Kuntaka language later literary literature māyā meaning mentioned metaphor mind nature never objective observes once original philosophical play poem poet poet's poetic poetry present principle question rasa reader reading refers regarded relation rules sabda Sanskrit scholars seen sense serve shows significance soul style suggested taste theorists theory thought tradition translation understand universal verse West Western whole writers