Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 26Gale Research Company, 1984 |
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Seite 200
... Irving Wardle , for example , main- tained that nobody would shed any tears for Porter's " fat- uously capering Malvolio , " while Michael Coveney took the contrary position that " there is simply no better Malvolio in the world than ...
... Irving Wardle , for example , main- tained that nobody would shed any tears for Porter's " fat- uously capering Malvolio , " while Michael Coveney took the contrary position that " there is simply no better Malvolio in the world than ...
Seite 206
... Irving exhibits him , stretched on the straw of a dungeon worthy of Fidelio . The play should , after all , be treated as a come- dy ; if Mr. Irving could not hit the true comedy tone in these scenes he had better have erred on the side ...
... Irving exhibits him , stretched on the straw of a dungeon worthy of Fidelio . The play should , after all , be treated as a come- dy ; if Mr. Irving could not hit the true comedy tone in these scenes he had better have erred on the side ...
Seite 209
... Irving's hands the part became so transmuted that you marvelled how they dared , and no doubt having some such notion in his mind , he cast the play unfortunately ; the ladies were too mature and , what was almost equally disastrous ...
... Irving's hands the part became so transmuted that you marvelled how they dared , and no doubt having some such notion in his mind , he cast the play unfortunately ; the ladies were too mature and , what was almost equally disastrous ...
Inhalt
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Urheberrecht | |
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