Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 26Gale Research Company, 1984 |
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Seite 95
... Parolles . " Parolles nei- ther speaks nor is spoken to , however , until line 240 , and in the interval , at line 232 , appears the direction , " Enter Parolles . " It has been tacitly agreed by all editors that the earlier direction ...
... Parolles . " Parolles nei- ther speaks nor is spoken to , however , until line 240 , and in the interval , at line 232 , appears the direction , " Enter Parolles . " It has been tacitly agreed by all editors that the earlier direction ...
Seite 101
... Parolles to the lords . Again , the emphasis has been shifted from the heroine to Parolles . Deletions in characterization may have speeded up the play and focused attention upon Parolles , but they weak- ened the structure of the plot ...
... Parolles to the lords . Again , the emphasis has been shifted from the heroine to Parolles . Deletions in characterization may have speeded up the play and focused attention upon Parolles , but they weak- ened the structure of the plot ...
Seite 127
... Parolles who found ' the right stab ' for the lines which drop him from farce to reali- ty , ' Who cannot be crush'd with a plot ? ' and ' Simply the thing I am / Shall make me live ' ( 20 September ) . In an in- terview with Robert ...
... Parolles who found ' the right stab ' for the lines which drop him from farce to reali- ty , ' Who cannot be crush'd with a plot ? ' and ' Simply the thing I am / Shall make me live ' ( 20 September ) . In an in- terview with Robert ...
Inhalt
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Urheberrecht | |
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