Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 26Gale Research Company, 1984 |
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Seite 142
... stage , before the Prince's seat " must refer to a stage that was directly in front of the dais , in the space between the dais and the fireplace . This area could be about nine feet deep and as wide as the hall , that is , thirty ...
... stage , before the Prince's seat " must refer to a stage that was directly in front of the dais , in the space between the dais and the fireplace . This area could be about nine feet deep and as wide as the hall , that is , thirty ...
Seite 143
... stage — the mart of Ephesus - backed by three houses , perhaps ad- joining one another , perhaps , as Chambers and Greg thought , separated by streets , one of them leading to the port . In such a set as this I would prefer to see the ...
... stage — the mart of Ephesus - backed by three houses , perhaps ad- joining one another , perhaps , as Chambers and Greg thought , separated by streets , one of them leading to the port . In such a set as this I would prefer to see the ...
Seite 144
... stage , Walter Hodges sees a curtain with enough room behind it for movement from one side to the other . . . A single door , carried on and off the stage by attendants , is held at a right angle to the front , so that spectators see ...
... stage , Walter Hodges sees a curtain with enough room behind it for movement from one side to the other . . . A single door , carried on and off the stage by attendants , is held at a right angle to the front , so that spectators see ...
Inhalt
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Urheberrecht | |
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