Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 208
... Kean's Tempest . The actors excelled in the principal roles , especially Kean , whose magician showed " more human emotion " than any Prospero the critic had ever seen . ] PRINCESS ' . Mr. Kean , who has lately been admitted into the ...
... Kean's Tempest . The actors excelled in the principal roles , especially Kean , whose magician showed " more human emotion " than any Prospero the critic had ever seen . ] PRINCESS ' . Mr. Kean , who has lately been admitted into the ...
Seite 214
... Kean's staging of the piece . By 1857 Kean was already noted as a Shakespearean pro- ducer who spared no effort or expense and insisted on his- torical accuracy in costumes , properties , and decorations . In preparing The Tempest for ...
... Kean's staging of the piece . By 1857 Kean was already noted as a Shakespearean pro- ducer who spared no effort or expense and insisted on his- torical accuracy in costumes , properties , and decorations . In preparing The Tempest for ...
Seite 420
... Kean Princess's Theatre 1856 BACKGROUND : The son of the great tragic actor Edmund Kean , Charles was manager of the Princess's Theatre from 1851 to 1859 , where he developed a production style that was intended to be historically ...
... Kean Princess's Theatre 1856 BACKGROUND : The son of the great tragic actor Edmund Kean , Charles was manager of the Princess's Theatre from 1851 to 1859 , where he developed a production style that was intended to be historically ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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actors actress appeared Ariel audience beautiful Belarius Brook brothel Caliban cast character Charles Charles Kean Cloten comedy comic costume Covent Garden critic Cymbeline dance daughter director dramatic Drury Lane effect Ellen Terry enchanted essay date feeling Ferdinand Garrick Gielgud Gower Guiderius Helen Faucit Henry Hermione human Iachimo imagination Imogen island John John Gielgud Kean Kean's Kemble King Leontes lines London look Lysimachus Macready Macready's magic Marina masque ment Miranda Miss never Old Vic Paulina Perdita performance Pericles Peter Phelps Pisanio play's plot poetry Posthumus praise present production Prospero Queen review date revival role Roman Royal Shakespeare Company scene scenery scenic seems Shake Shakespeare Shakespeare's plays ship song speak speare's spectacle speech spirit stage Stephano storm story Stratford Strehler's Tempest Terry Thaisa Theatre theatrical thing thou tion Trewin Trinculo William Winter's Tale words young