Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 213
... century tradition of emphasizing the play as a spectacle . In addition , she presents an extensive analysis of the production's scenic elements , together with some contemporary critical reactions . ] In our century The Tempest has ...
... century tradition of emphasizing the play as a spectacle . In addition , she presents an extensive analysis of the production's scenic elements , together with some contemporary critical reactions . ] In our century The Tempest has ...
Seite 305
... century , commen- tators began to recognize " the producers of less highly theatrical revivals as the true ' innovators . ' " ] The history of The Tempest on the English - speaking stage from the Restoration era through mid nineteenth ...
... century , commen- tators began to recognize " the producers of less highly theatrical revivals as the true ' innovators . ' " ] The history of The Tempest on the English - speaking stage from the Restoration era through mid nineteenth ...
Seite 507
... century dress , as if from a painting by Fragonard , the comic vitality of the Clown and Autolycus and the old Shepherd , and the scene when Hermione's statue awakens into life were engraved on the imagination of eighteenth- century ...
... century dress , as if from a painting by Fragonard , the comic vitality of the Clown and Autolycus and the old Shepherd , and the scene when Hermione's statue awakens into life were engraved on the imagination of eighteenth- century ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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actors actress appeared Ariel audience beautiful Belarius Brook brothel Caliban cast character Charles Charles Kean Cloten comedy comic costume Covent Garden critic Cymbeline dance daughter director dramatic Drury Lane effect Ellen Terry enchanted essay date feeling Ferdinand Garrick Gielgud Gower Guiderius Helen Faucit Henry Hermione human Iachimo imagination Imogen island John John Gielgud Kean Kean's Kemble King Leontes lines London look Lysimachus Macready Macready's magic Marina masque ment Miranda Miss never Old Vic Paulina Perdita performance Pericles Peter Phelps Pisanio play's plot poetry Posthumus praise present production Prospero Queen review date revival role Roman Royal Shakespeare Company scene scenery scenic seems Shake Shakespeare Shakespeare's plays ship song speak speare's spectacle speech spirit stage Stephano storm story Stratford Strehler's Tempest Terry Thaisa Theatre theatrical thing thou tion Trewin Trinculo William Winter's Tale words young