Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 118
... effect , coincides with the main stage , inner stage alterna- tion which we have been working out . Later editors , blind- ly turning the Folio's ' scenes ' into scenery , with their A garden of Cymbeline's Palace , A public place , A ...
... effect , coincides with the main stage , inner stage alterna- tion which we have been working out . Later editors , blind- ly turning the Folio's ' scenes ' into scenery , with their A garden of Cymbeline's Palace , A public place , A ...
Seite 134
... effect in a the- atrical sense , unless the part were spoken by an actor of unusual power . The former plan was taken ; and in adding to certain scenes in the drama passages of his own writing , strictly confined to the explanation of ...
... effect in a the- atrical sense , unless the part were spoken by an actor of unusual power . The former plan was taken ; and in adding to certain scenes in the drama passages of his own writing , strictly confined to the explanation of ...
Seite 226
... effect is entirely pictorial . Nobody talks . But by - and - by the words must be heard ; and they must give the effect of strangeness with beauty , they must create the atmosphere of enchantment . Merely to " spout " them in the old ...
... effect is entirely pictorial . Nobody talks . But by - and - by the words must be heard ; and they must give the effect of strangeness with beauty , they must create the atmosphere of enchantment . Merely to " spout " them in the old ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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actors actress appeared Ariel audience beautiful Belarius Brook brothel Caliban cast character Charles Charles Kean Cloten comedy comic costume Covent Garden critic Cymbeline dance daughter director dramatic Drury Lane effect Ellen Terry enchanted essay date feeling Ferdinand Garrick Gielgud Gower Guiderius Helen Faucit Henry Hermione human Iachimo imagination Imogen island John John Gielgud Kean Kean's Kemble King Leontes lines London look Lysimachus Macready Macready's magic Marina masque ment Miranda Miss never Old Vic Paulina Perdita performance Pericles Peter Phelps Pisanio play's plot poetry Posthumus praise present production Prospero Queen review date revival role Roman Royal Shakespeare Company scene scenery scenic seems Shake Shakespeare Shakespeare's plays ship song speak speare's spectacle speech spirit stage Stephano storm story Stratford Strehler's Tempest Terry Thaisa Theatre theatrical thing thou tion Trewin Trinculo William Winter's Tale words young