Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 15Gale Research Company, 1984 |
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Seite 178
... play , on all the occasions I saw it , had a profoundly moving effect on audi- ences . Such power must be largely attributable to the qual- ity of the production ( as well as to that most troublesome text ) , though perhaps it was not ...
... play , on all the occasions I saw it , had a profoundly moving effect on audi- ences . Such power must be largely attributable to the qual- ity of the production ( as well as to that most troublesome text ) , though perhaps it was not ...
Seite 341
... play explodes with the irrational , creative uncon- scious . The play lurches from one wonderful revelation to the next , rather as in a novel by Dostoevsky - the spiritual lurks around the most unexpected corners . Epiphanies tend to ...
... play explodes with the irrational , creative uncon- scious . The play lurches from one wonderful revelation to the next , rather as in a novel by Dostoevsky - the spiritual lurks around the most unexpected corners . Epiphanies tend to ...
Seite 386
... play in 1968 , he chose to do ' not The Tempest but a series of actors ' exercises aimed at gen- erating emotions required for that play and gestures to ex- press them ' [ Ronald Bryden , in The Observer , 21 July 1968 ] . He sought ...
... play in 1968 , he chose to do ' not The Tempest but a series of actors ' exercises aimed at gen- erating emotions required for that play and gestures to ex- press them ' [ Ronald Bryden , in The Observer , 21 July 1968 ] . He sought ...
Inhalt
Cymbeline | 1 |
Pericles | 127 |
The Tempest | 185 |
Urheberrecht | |
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