The Portfolio: Monographs on Artistic Subjects..., Ausgaben 35-39

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Philip Gilbert Hamerton
Seeley, 1898
 

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Seite 109 - Tiziano sanissimo et fortunate quant' alcun altro suo pari sia stato ancor mai; e non ha mai avuto dai cieli se non favori e felicita." Too true it is, alas, that no man's life may be counted happy until its close! Now comes upon the great city this all-enveloping horror of the plague, beginning in...
Seite 94 - ... de son savoir comme coloris, de sa dextérité comme pratique, quand il avait la vision nette et instantanée, la main rapide et soigneuse, et qu'il n'était pas trop difficile, le triomphe de la verve et de la science, en un mot de la confiance en soi. Le Coup de lance est un tableau décousu avec de grands vides, des aigreurs, de vastes taches un peu arbitraires, belles en soi, mais de rapports douteux.
Seite 15 - Titian sent by Aretino to Maximian Stampa, an imperialist partisan in command of the castle of Milan. The donor particularly dwells upon "the beautiful curl of the Baptist's hair, the fairness of his skin, etc.," a description which recalls to us, in striking fashion, the little St. John in the Virgin and Child with St. Catherine of the National Gallery, which belongs, as has been shown, to the same time. It was on the occasion of the second visit of the Emperor and his court to Bologna at the close...
Seite 80 - ... Adonis," were better suited to the taste of Philip. Titian worked alternately at both, and dispatched them to their destination almost simultaneously. In a letter written during the autumn of 1554, Titian sent congratulations to the new king-consort of England, and forwarded the
Seite 33 - Eubens copied four canvases registered in the inventories of his succession as Venetian courtezans, and got the idea for his "Chapeau de Paille."f The picture at Vienna is probably that described in a catalogue of the gallery of Charles the First of England as " a naked woman with both her hands putting on her smock, which the king changed with the Duchess of Buckingham for one of his Majesty's Mantua pieces."!
Seite 94 - Quelles journées! Quand on a longuement examiné cette œuvre sans pareille, où Rubens se transfigure, on ne peut plus regarder rien, ni personne, ni les autres, ni Rubens lui-même; il faut pour aujourd'hui quitter le musée.
Seite 38 - Titian had since 1516 been in possession of his senseria, or broker's patent, and its accompanying salary, on condition that he should paint " the canvas of the land fight on the side of the Hall of the Great Council looking out on the Grand Canal," but that he had drawn his salary without performing his promise. He was therefore called upon to refund all that he had received for the time during which he had done no work.
Seite 93 - Memorials, of this trade of Doune. " The only remains of any of the ancient branches of trade is the making of Highland pistols. The reputation of Doune for this manufacture, about the time of the German war, was very great. This art was introduced to Doune about the year 1646 by Thomas Caddell, who having been instructed in his craft at Muthil, a village in Strathearn in Perthshire, came and settled at Doune. This famous tradesman possessed a most profound genius, and an inquisitive mind, and though...

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