The Scholar's Art: Literary Studies in a Managed World
University of Chicago Press, 15.05.2006 - 239 Seiten
For Jerome McGann, the purpose of scholarship is to preserve and pass on cultural heritage, a feat accomplished through discussion among scholars and interested nonspecialists. In The Scholar’s Art, a collection of thirteen essays, McGann both addresses and exemplifies that discussion and the vocation it supports.
Of particular interest to McGann is the demise of public discourse about poetry. That poetry has become recondite is, to his mind, at once a problem for how scholars do their work and a general cultural emergency. The Scholar’s Art asks what could be gained by reimagining the way scholars have codified the literary and cultural history of the past two hundred years and goes on to provide a series of case studies that illustrate how scholarly method can help bring about such reimaginings. McGann closes with a discussion of technology’s ability to harness the reimagination of cultural memory and concludes with exemplary acts of critical reflection.
Astute observation from one of America’s most bracing and original commentators on the place of literature in twenty-first century culture, The Scholar’s Art proposes new ways—cultural, philological, and technological—to reimagine our literary past and future.
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Two Romantic Responses to the Death of Beauty
2 Romanticism PostRomanticism and the Afterlife of Cultural Authority
Laura Riding and the History of TwentiethCentury Writing
4 My Kinsman Walter Scott
5 Tennyson and the Artists of the Beautiful
6 Beauty a NineteenthCentury Users Manual
7 Mr James and His Discovery
8 Interpretation as a Game That Must Be Lost
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Acker aesthetic artiﬁce artists authority autopoietic Beauty Blake book’s Byron called chapter character Charles Bernstein codependent codes Coleridge Coleridge’s comic critical cultural D. G. Rossetti dead deﬁnes difﬁculty discourse Diversi Colores Don Giovanni Dugan’s Edel Eliot Emily Dickinson essay famous ﬁction ﬁctional ﬁgure ﬁnally ﬁnd ﬁrst ﬁrst person ﬂesh forms function Glastonbury Romance Harper’s edition human idea illusions imagination inner standing-point interpretation ivanhoe James James’s John Cowper Powys kind Klupzy language Laura Riding linguistic literary Lukács meaning Methuen mind modernism modernist moral move narrative narrator novel passage Pattieson Philosophy of Composition Poe’s poem poem’s poet poetic poetry Porius postmodern Powys Powys’s problem procedures prose question reader reﬂection Riding’s Romantic Romanticism Rossetti scholarly scholars Scott signiﬁcance speciﬁc stanza Stein story style Swinburne Swinburne’s T. S. Eliot tale Tennyson textual ﬁeld things tion truth verse words Wordsworth writing Young’s
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