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" Shakespeare discerns the characters of men, with which he catches the many changing hues of life, forms a sort of problem in the science of mind, of which it is easier to see the truth than to assign the cause. "
The Lounger: no. 53-101; Feb. 4, 1786-Jan. 6, 1787 - Seite 401
1794
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The Edinburgh Magazine, Or, Literary Miscellany, Band 4

1786 - 508 Seiten
...drawing the fcenery of nature. That intuitive glauce with wliich a writer like Shakefpeare difcern« the characters of men, with which he catches the many changing hues of life, forms a foit of problem in the feie n ce of mind, of which it is eaficr to fee the truth than to affign the...
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Gentleman's Magazine and Historical Review, Band 57,Teil 2

1787 - 712 Seiten
...a writer like Shakefpeare dilcerns the crurac-- ters of men, with whichjhe catches the manychanging hues of life, forms a fort of problem in the fcience of mind, of which it is ealier to fee the truth than to afligii the cauie. Though 1 am very far from meaning to compare our...
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The Lounger, Band 3

1788 - 338 Seiten
...paffions, or in drawing the fcenery of Nature. That intuitive glance with which a writer like Shakefpeare difcerns the characters of men, with which he catches...very far from meaning to compare our ruftic bard to N. 4 . ShakeShakefpeare, yet whoever will read his lighter and more humorous poems, his Dialogue of...
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The Lounger: no. 70-101; June 3, 1786-Jan. 6, 1787

1788 - 330 Seiten
...paffions, or in drawing the fcenery of Nature. That intuitive glance with which a writer like Shakefyeare difcerns the characters of men, with which he catches...mind, of which it is eafier to fee the truth than to nfiign the caufe. Though I am very far from meaning to compare our ruftic bard to N 4 ShakeShakefpeare,...
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The British Essayists: The Lounger

1823 - 354 Seiten
...drawing the scenery of Nature. That intuitive glance with which a writer like Shukepcarc discerns DD 3 the characters of men, with which he catches the many changing hues of life, forms a sort of problem in the science of mind, of which it is easier to see the truth than to assign the cause....
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The British essayists, with prefaces by A. Chalmers, Bände 31-32

British essayists - 1823 - 802 Seiten
...in drawing the scenery of Nature. That intuitive glance with which a writer like Shakspeare discerns the characters of men, with which he catches the many changing hues of life, forms a sort of problem in the science of mind, of which it is easier to see the truth than to assign the cause....
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The Works of Robert Burns, Band 1

Robert Burns - 1840 - 368 Seiten
...in drawing the scenery of nature. That intuitive glance with which a writer like Shakspeare discerns the characters of men, with which he catches the many changing hues of life, forms a sort of problem in the science of mind, of which it is easier to see the truth than to assign the cause....
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A Winter with Robert Burns: Being Annals of His Patrons and Associates in ...

James Marshall - 1846 - 186 Seiten
...in drawing the scenery of Nature. That intuitive glance with which a writer like Shakspeare discerns the characters of men, with which he catches the many changing hues of life, forms a sort of problem in the science of mind, of which it is easier to see the truth than to assign the cause....
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Portrait Gallery of Eminent Men and Women of Europe and America ..., Band 1

Evert Augustus Duyckinck - 1872 - 740 Seiten
...the greatest of dramatists—-" that intuitive glance with which a writer like Shakespeare discerns the characters of men, with which he catches the many • changing hues of life, forming a sort of problem in the science of mind, of which it is easier to see the truth than to assign...
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The English Essayists: A Comprehensive Selection from the Works of the Great ...

1881 - 578 Seiten
...drawing the scenery of nature. That intuitive glance with which a writer like Shakespeare discerns esent good or ill, the joy or curse, But future views of better, or of worse. 0 sons sort of problem in the science of mind, of which it is easier to see the truth than to assign the cause....
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