'How seldom, friend! a good great man inherits Or any merit that which he obtains.' REPLY TO THE ABOVE FOR shame, dear friend, renounce this canting strain! Or throne of corses which his sword had slain ? 5 10 The good great man? three treasures, LovE, and LIGHT, 1802. INSCRIPTION FOR A FOUNTAIN ON A HEATH 2 THIS Sycamore, oft musical with bees, Such tents the Patriarchs loved! O long unharmed The small round basin, which this jutting stone Keeps pure from falling leaves! Long may the Spring, 5 1 First published in the Morning Post (as an 'Epigram', signed EETHEE), September 23, 1802: reprinted in the Poetical Register for 1802 (1803, p. 246): included in The Friend, No. XIX, December 28, 1809, and in Literary Remains, 1836, i. 53. First collected in 1844. First published in the Morning Post, September 24, 1802: reprinted in the Poetical Register for 1802 (1803, p. 338): included in Sibylline Leaves, 1828, 1829, and 1834. The Good, Great Man-Title] Epigram M. P.: Epigrams P. R.: Complaint Lit. Rem., 1844, 1852: The Good, &c. 1893. 6 Reply to the above M. P. : Reply The Friend, 1809: Reproof Lit. Rem., 1844. Inscription, &c.—Title] Inscription on a Jutting Stone, over a Spring M. P., P. R. 3 agéd] darksome M. P., P. R. 5 Still may this spring M. P., P. R. Quietly as a sleeping infant's breath, Nor wrinkles the smooth surface of the Fount. 1802. ΤΟ 15 AN ODE TO THE RAIN 2 COMPOSED BEFORE DAYLIGHT, ON THE MORNING APPOINTED FOR THE DEPARTURE OF Α VERY WORTHY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN 1 I KNOW it is dark; and though I have lain, 1 Compare Anima Poetae, 1895, p. 17: 'The spring with the little tiny cone of loose sand ever rising and sinking to the bottom, but its surface without a wrinkle.' 2 First published in the Morning Post (?), Oct. 7, 1802 included in Sibylline Leaves, 1817: in Literary Remains, 1836, i. 54-6. First collected in 1844. In Literary Remains the poem is dated 1809, but in a letter to J. Wedgwood, Oct. 20, 1802, Coleridge seems to imply that the Ode to the Rain had appeared recently in the Morning Post. A MS. note of Mrs. H. N. Coleridge, included in other memoranda intended for publication in Essays on His Own Times, gives the date, 'Ode to Rain, October 7'. The issue for October 7 is missing in the volume for 1802 preserved 7 waters] water P. R. less M. P., P. R. to] for M. P., P. R. 10 Which] That M. P., P. R. dwell, and twilight M. P., P. R. 9 soundless] noise13 Here coolness 16 foll. Here, stranger, drink! Here rest! And if thy heart Be innocent, here too may'st thou renew Thy spirits, listening to these gentle sounds, The passing gale, or ever-murm'ring bees, M. P., P. R, I have not once opened the lids of my eyes, O Rain! you will but take your flight, Though sick and sore for want of sleep. Do go, dear Rain! do go away! II O Rain! with your dull two-fold sound, O Rain! you will but take your flight, Though you should come again to-morrow, And bring with you both pain and sorrow; Though stomach should sicken and knees should swell I'll nothing speak of you but well. But only now for this one day, Do go, dear Rain! do go away! 15 20 25 30 III Dear Rain! I ne'er refused to say 35 in the British Museum, and it may be presumed that it was in that number the Ode to the Rain first appeared. It is possible that the Ode' was written on the morning after the unexpected arrival of Charles and Mary Lamb at Greta Hall in August, 1802. What then? sometimes it must be fair IV Dear Rain! if I've been cold and shy, 40 We three dear friends! in truth, we groan 45 We three, you mark! and not one more! The strong wish makes my spirit sore. 5༠ And this I'll swear to you, dear Rain! 55 1802. Be you as dull as e'er you could Nor should you go away, dear Rain! But only now, for this one day, Do go, dear Rain! do go away. 60 65 45 We] With L. R. 1844, 1852. [The text was amended in P. W., 1877Bo.] A DAY-DREAM1 My eyes make pictures, when they are shut: A willow and a ruined hut, And thee, and me and Mary there. O Mary! make thy gentle lap our pillow! Bend o'er us, like a bower, my beautiful green willow! A wild-rose roofs the ruined shed, And that and summer well agree: And lo! where Mary leans her head, Two dear names carved upon the tree! And Mary's tears, they are not tears of sorrow : Our sister and our friend will both be here to-morrow. 5 10 'Twas day! but now few, large, and bright, The stars are round the crescent moon! And now it is a dark warm night, The balmiest of the month of June! A glow-worm fall'n, and on the marge remounting 15 Shines, and its shadow shines, fit stars for our sweet fountain. O ever-ever be thou blest! For dearly, Asra! love I thee! This brooding warmth across my breast, Fount, tree and shed are gone, I know not whither, But in one quiet room we three are still together. The shadows dance upon the wall, By the still dancing fire-flames made; And now they slumber, moveless all! And now they melt to one deep shade! But not from me shall this mild darkness steal thee: 20 25 I dream thee with mine eyes, and at my heart I feel thee! 30 First published in the Bijou for 1828: included in 1828, 1829, and 1834. Asra is Miss Sarah Hutchinson; 'Our Sister and our Friend,' William and Dorothy Wordsworth. There can be little doubt that these lines were written in 1801 or 1802. 17 on] in Bijou, 1828. 28 one] me Bijou, 1828. 8 well] will Bijou, 1828. dearly Bijou, 1828. COLERIDGE 20 For Asra, |