Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 283
... mother harbors truly annihilative inclinations the splitting will be radical . Where the mother's ambiva- lence is minimal the splitting will be minimal . In most instances splitting results from the mother's confusional behavior ...
... mother harbors truly annihilative inclinations the splitting will be radical . Where the mother's ambiva- lence is minimal the splitting will be minimal . In most instances splitting results from the mother's confusional behavior ...
Seite 284
... mother's role in the hero's fantasy world , we also have an explicit connection between the actual mother and the mother substitute , a connection that is estab- lished through something we can regard , in Winnicott's terms , as a ...
... mother's role in the hero's fantasy world , we also have an explicit connection between the actual mother and the mother substitute , a connection that is estab- lished through something we can regard , in Winnicott's terms , as a ...
Seite 285
... mother's rejection has not ' gone far , " " Reid con- structs a hypothetical history of the hero's develop- ment . Othello's attachment to his mother , Reid main- tains , was very strong , and " very early she must have sensed this and ...
... mother's rejection has not ' gone far , " " Reid con- structs a hypothetical history of the hero's develop- ment . Othello's attachment to his mother , Reid main- tains , was very strong , and " very early she must have sensed this and ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York