Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 295
... victim : " While the victim was being led to the place of slaughter , some rituals prescribed libations and expiations . Excuses were made for the act that was about to be carried out , the death of the animal was lamented , one wept ...
... victim : " While the victim was being led to the place of slaughter , some rituals prescribed libations and expiations . Excuses were made for the act that was about to be carried out , the death of the animal was lamented , one wept ...
Seite 297
... victim is consecrated , in which the victim is magi- cally transformed by the priest into an object fit to serve as an intermediary between man and god , and we have seen how this relates to Othello's conflicting aims , his desire on ...
... victim is consecrated , in which the victim is magi- cally transformed by the priest into an object fit to serve as an intermediary between man and god , and we have seen how this relates to Othello's conflicting aims , his desire on ...
Seite 299
... victim are especially homogenous , " and that the sacrifice , " of itself , effects an exaltation of the victims , which renders them directly divine . ” 32 These authors go on , " There are numerous legends in which these apotheoses ...
... victim are especially homogenous , " and that the sacrifice , " of itself , effects an exaltation of the victims , which renders them directly divine . ” 32 These authors go on , " There are numerous legends in which these apotheoses ...
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A. C. Bradley action anger audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's ideal innocence jealous jealousy justice kill King Lear Laertes language Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind Moor moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Press Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York