The Spirit of the Age: Or, Contemporary Portraits, Bände 1-2Galignani, 1825 |
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Seite 5
... tone , and a characteristic inveteracy of pur- pose . Even in those collateral ornaments of modern style , slovenliness , abruptness , and eccentricity ( as well as in terseness and signi- ficance ) , Lord Byron , when he pleases ...
... tone , and a characteristic inveteracy of pur- pose . Even in those collateral ornaments of modern style , slovenliness , abruptness , and eccentricity ( as well as in terseness and signi- ficance ) , Lord Byron , when he pleases ...
Seite 13
... tone , and " reasons high of providence , fore - knowledge , will , and fate . " He takes the highest points in the history of the world , and comments on them from a more commanding eminence : he shows us the crumbling monuments of ...
... tone , and " reasons high of providence , fore - knowledge , will , and fate . " He takes the highest points in the history of the world , and comments on them from a more commanding eminence : he shows us the crumbling monuments of ...
Seite 110
... tone , a thoughtful hu- manity , infused into his pastoral vein . Remote from the passions and events of the great world , he has communicated interest and dig- nity to the primal movements of the heart of man , and ingrafted his own ...
... tone , a thoughtful hu- manity , infused into his pastoral vein . Remote from the passions and events of the great world , he has communicated interest and dig- nity to the primal movements of the heart of man , and ingrafted his own ...
Seite 116
... his conceptions , so glowing his style . Milton is his great idol , and he sometimes dares to compare himself with him . His Sonnets , indeed , have some- thing of the same high - raised tone and pro- 116 THE SPIRIT OF THE AGE .
... his conceptions , so glowing his style . Milton is his great idol , and he sometimes dares to compare himself with him . His Sonnets , indeed , have some- thing of the same high - raised tone and pro- 116 THE SPIRIT OF THE AGE .
Seite 117
Or, Contemporary Portraits William Hazlitt. thing of the same high - raised tone and pro- phetic spirit . Chaucer is another prime fa- vourite of his , and he has been at the pains to modernise some of the Canterbury Tales . Those ...
Or, Contemporary Portraits William Hazlitt. thing of the same high - raised tone and pro- phetic spirit . Chaucer is another prime fa- vourite of his , and he has been at the pains to modernise some of the Canterbury Tales . Those ...
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Häufige Begriffe und Wortgruppen
admiration affections argument beauty Ben Jonson Bentham breath candour casuistry character Claude Lorraine Cobbett Coleridge common common-place criticism delight Edinburgh Review eloquence equally fancy favour feeling French Revolution friends genius give Godwin grace ground habit hand heart honour House human idle imagination intellect interest Irving less liberty light live look Lord Byron LORD ELDON Lyrical Ballads Malthus manner means ment mind modern moral Muse nature ness never object opinion orator pain passion perhaps person philosophical poet poetical poetry political popular prejudices pretensions principle quaint question racter reason Scotch sense Sir Francis Burdett Sir James Sir James Mackintosh Sir Walter Sir Walter Scott sophism sort Southey speak speeches spirit spleen striking style talent thing thought tical tion tone Tooke truth turn verse vice and misery voice Whigs whole word Wordsworth writings
Beliebte Passagen
Seite 134 - ON Linden, when the sun was low, All bloodless lay the untrodden snow, And dark as winter was the flow Of Iser, rolling rapidly. But Linden saw another sight, When the drum beat, at dead of night, Commanding fires of death to light The darkness of her scenery.
Seite 135 - Tis morn, but scarce yon level sun Can pierce the war-clouds, rolling dun, Where furious Frank, and fiery Hun, Shout in their sulphurous canopy. The combat deepens. On, ye brave, Who rush to glory, or the grave! Wave, Munich ! all thy banners wave ! And charge with all thy chivalry ! Few, few, shall part where many meet ! The snow shall be their winding sheet, And every turf beneath their feet Shall be a soldier's sepulchre.
Seite 53 - Here lies our good Edmund, whose genius was such, We scarcely can praise it, or blame it too much; Who, born for the universe, narrow'd his mind, And to party gave up what was meant for mankind.
Seite 114 - Full on this casement shone the wintry moon, And threw warm gules on Madeline's fair breast, As down she knelt for heaven's grace and boon; Rose-bloom fell on her hands, together prest, And on her silver cross soft amethyst, And on her hair a glory, like a saint: She seem'da splendid angel, newly drest, Save wings, for heaven: Porphyro grew faint: She knelt, so pure a thing, so free from mortal taint.
Seite 59 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Seite 114 - Of fruits, and flowers, and bunches of knot-grass, And diamonded with panes of quaint device, Innumerable of stains and splendid dyes, As are the tiger-moth's deep-damask'd wings; And in the midst, 'mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blush'd with blood of queens and kings.
Seite 73 - I behold thee in thy loftier mood, Wand'ring at eve, with finely frenzied eye, Beneath some vast old tempest-swinging wood ! Awhile, with mute awe gazing, I would brood, Then weep aloud in a wild ecstasy.
Seite 114 - Half-hidden, like a mermaid in seaweed, Pensive awhile she dreams awake, and sees In fancy, fair St. Agnes in her bed, But dares not look behind, or all the charm is fled.
Seite 146 - When tides were neap, and, in the sultry day, Through the tall bounding mud-banks made their way, Which on each side rose swelling, and below The dark warm flood ran silently and slow; There anchoring, Peter chose from man to hide, There hang his head, and view the lazy tide In its hot slimy channel slowly glide...
Seite 104 - The cloud-capt towers, the gorgeous palaces, The solemn temples, the great globe itself; * Yea, all which it inherit, shall dissolve, And, like the baseless fabric of a vision, Leave not a wreck behind.