Indirections: Shakespeare and the Art of Illusion

accept action actual ambiguous Angelo appearance argues attitude audience awareness becomes begins Bertram brings characters Cleopatra comedies comes comic course court created critics death describes discussion disguise dream Duke earlier effect especially example experience expresses eyes face fact feeling final give Hamlet Helena honour human identity illusion important indicates involved irony kind King language later leads Lear live London look lovers madness magic manipulation meaning Measure metaphor moral moves nature Night Parolles pastoral perception play plot political Portia presents problem Prospero provides question reality reason relation response result role romantic Rosalind says scene seems sense sexual Shakespeare Shylock similar situation social society speaks speech stage structure suggests Tempest theatrical theme things tion traditional Troilus true truth vision whole