Music, Witchcraft and the ParanormalMelrose Press, 2005 - 315 Seiten A series of essays on parapsychology and psychical research with special reference to the importance of music in paganism and witchcraft. The author investigates the use of music in telepathic contact using controlled experiments. He looks at mediums who claim contact with dead composers and people who have heard 'ghostly' music are also examined. |
Inhalt
Abschnitt 1 | 3 |
Abschnitt 2 | 7 |
Abschnitt 3 | 9 |
Abschnitt 4 | 17 |
Abschnitt 5 | 46 |
Abschnitt 6 | 96 |
Abschnitt 7 | 140 |
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Abschnitt 16 | 285 |
Abschnitt 17 | 286 |
Abschnitt 18 | 287 |
Abschnitt 19 | 288 |
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Abschnitt 9 | 172 |
Abschnitt 10 | 225 |
Abschnitt 11 | 280 |
Abschnitt 12 | 281 |
Abschnitt 13 | 282 |
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Abschnitt 28 | 297 |
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Häufige Begriffe und Wortgruppen
activity Age music album alleged allegedly apparitions appear Beethoven believed black sabbath Brown Castle chanting Church cited claimed Clannad composers contains dance Dead Can Dance Devil Dido and Aeneas drumming emotional evidence evil examples experience feel felt flutes folk music further ganzfeld ganzfeld experiments ghostly ghosts harmony haunted heard ibid images included instance instruments investigate Lisa Gerrard London magic manifestations mediumship melodies mentioned Midsummer Marriage minor key musical mediums musicians nature night opera orchestral organ music pagan paranormal paranormal music Parapsychology performance phenomena piano piece played popular possible private correspondence produced Psychical Research questionnaires received recorded referred religion replies ritual Rosemary Brown sabbath scene scored sender singing Society for Psychical songs Sorceress sorcery sound spirit contact Spiritualist spoke Stradivarius strings sunken bells supernatural Symphony telepathic theme track tradition trials twentieth century types of music Underwood violin voice Wiccan witchcraft witches wrote