Shakespeare and the Modern Stage; with Other EssaysGood Press, 19.12.2019 - 259 Seiten As this book was first published in the early twentieth century, it should be remembered that 'modern' can refer only to nineteenth-century theater. Sir Sydney Lee writes very much from the point of view that Shakespeare must be performed to be fully appreciated. |
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... England 36 VI . Elizabethan Methods of Production 38 VII . The Contrast between the Elizabethan and the Modern Methods 43 VIII . The Fitness of the Audience an Essential Element in the Success of Shakespeare on the Stage 46 V IV ...
... England 36 VI . Elizabethan Methods of Production 38 VII . The Contrast between the Elizabethan and the Modern Methods 43 VIII . The Fitness of the Audience an Essential Element in the Success of Shakespeare on the Stage 46 V IV ...
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... England of Formal Biography 51 III . Oral Tradition concerning Shakespeare in Theatrical Circles 57 The Testimonies of Seventeenth - century Actors 61 IV . V. VI . VII . VIII . Sir William D'Avenant's Devotion to Shakespeare's Memory ...
... England of Formal Biography 51 III . Oral Tradition concerning Shakespeare in Theatrical Circles 57 The Testimonies of Seventeenth - century Actors 61 IV . V. VI . VII . VIII . Sir William D'Avenant's Devotion to Shakespeare's Memory ...
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... England 127 IV . Indications of a Demand for a Municipal Theatre 129 V. The Teaching of Foreign Experience . The Example of Vienna 134 VI . The Conditions of Success in England 138 VII ASPECTS OF SHAKESPEARE'S PHILOSOPHY Table of ...
... England 127 IV . Indications of a Demand for a Municipal Theatre 129 V. The Teaching of Foreign Experience . The Example of Vienna 134 VI . The Conditions of Success in England 138 VII ASPECTS OF SHAKESPEARE'S PHILOSOPHY Table of ...
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... England . The Country's Dependence on the Command of the Sea . 172 179 The Respect Due to a Nation's Traditions and Experience IV . Shakespeare's Exposure of Social Foibles and Errors 184 V. Relevance of Shakespeare's Doctrine of ...
... England . The Country's Dependence on the Command of the Sea . 172 179 The Respect Due to a Nation's Traditions and Experience IV . Shakespeare's Exposure of Social Foibles and Errors 184 V. Relevance of Shakespeare's Doctrine of ...
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... England from the Fourteenth to the Present Century 198 II . M. Jusserand on Shakespeare in France . French Knowledge of English Literature in Shakespeare's day . 201 Shakespeare in Eighteenth - century France . Eulogies of Victor Hugo ...
... England from the Fourteenth to the Present Century 198 II . M. Jusserand on Shakespeare in France . French Knowledge of English Literature in Shakespeare's day . 201 Shakespeare in Eighteenth - century France . Eulogies of Victor Hugo ...
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acting actor actor-manager actor-manager system actors and actresses admiration artistic audience Bacon Beeston Ben Jonson Benson Betterton biography career character Charles Kean comedy commemoration contemporary Contents I Table critical D'Avenant D'Avenant's dramatic art dramatist Drury Lane Elizabethan playgoer endeavour England English experience France French genius George Peele Hamlet Henry histrionic honour human illusion imagination interest Jonson Julius Cæsar King literary drama literature London Lowin Macbeth memory methods modern Molière monument moral municipal theatre nation natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance permanent Phelps Phelps's philosophy piece play of Shakespeare playhouse poet poetic present production realise rendered reputation Richard II rôles Sadler's Wells Theatre scene scenery scenic appliances sentiment seventeenth century Shakespeare's plays Shakespearean drama Sir Henry Irving spectacular spectator speech stage Stratford Stratford-on-Avon Table of Contents theatrical enterprise thou William William Beeston writing wrote