Aesthetics, Form and EmotionDuckworth, 1983 - 248 Seiten |
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Seite 140
... remains . I do not speak of dealers and connoisseurs , I mean connoisseurs of copies and copyists . False teeth , to take an analogy , are made to serve as teeth , not as false teeth ; in other words , they are false faute de mieux ...
... remains . I do not speak of dealers and connoisseurs , I mean connoisseurs of copies and copyists . False teeth , to take an analogy , are made to serve as teeth , not as false teeth ; in other words , they are false faute de mieux ...
Seite 160
... remains fixed . Yet we often find their aesthetic character radically modified as they ' move ' from one context to another . Now such modifications , one may expect , ad- mit of no easy mathematical handling . Not that we need think ...
... remains fixed . Yet we often find their aesthetic character radically modified as they ' move ' from one context to another . Now such modifications , one may expect , ad- mit of no easy mathematical handling . Not that we need think ...
Seite 168
... remains important ; we can all grope towards and recognise articulateness . And the thing remains possible theoretically . The point is the contrast with mere sensation , which may also be enjoyed for its own sake . But sensations ...
... remains important ; we can all grope towards and recognise articulateness . And the thing remains possible theoretically . The point is the contrast with mere sensation , which may also be enjoyed for its own sake . But sensations ...
Inhalt
Varieties of Aesthetic Experience | 1 |
What Makes a Situation Aesthetic? | 13 |
Morality and the Assessment of Literature | 37 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
abstract aesthetic experience answer appreciation argue argument artist attitude cerned certainly Cleanth Brooks coherence complex concern course criteria criticism David Pole disgust distinction distinguish doubtless emotion evaluation example expression F. R. Leavis fact fear feature feel further generalisations Goodman hence I. A. Richards imaginative innocent eye instance intellectual interpretation issue Kant kind least Leavis Leavis's less literary literature logical look matter mean merely Milton moral nature Nausea non-aesthetic normal notion objects organisation P. F. Strawson Paradise Lost pattern perhaps philosophical picture poem poetry possible precisely present problem qualities question reading recognise relevant representation representational art resemblance response Richard Wollheim Roger Scruton Sartre Scruton Seagram Building seek seems sense serve sort speak Strawson suggested suppose surely T. S. Eliot theory things thought tion tone true Urmson vision whole wholly Wollheim words writes