Shakespeare's Tragedies and Modern Critical Theory

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Fairleigh Dickinson University Press, 1997 - 238 Seiten
This work contributes to the current debate between traditional humanist approaches to Shakespeare and newer modes of

analysis informed by Marxism, poststructuralism, and feminism. The book offers an accessible introduction to the main critical positions now represented in Shakespeare studies, enabling readers unfamiliar with critical theory to gain a purchase on the ideas.

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