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Thus woke the poet from the dream
His life's long fever gave him,
Beneath those deep pathetic Eyes,
Which closed in death to save him.

Thus! oh, not thus! no type of earth
Could image that awaking,
Wherein he scarcely heard the chaunt
Of seraphs round him breaking-
Or felt the new immortal throb

Of soul from body parted;

But felt these eyes alone, and knew "My Saviour! not deserted!"

Deserted! who hath dreamt that when

The cross in darkness rested

Upon the Victim's hidden face,

No love was manifested?

What frantic hands outstretched have e'er

The atoning drops averted

What tears have washed them from the soul

That one should be deserted?

Deserted! God could separate
From his own essence rather:
And Adam's sins have swept between
The righteous Son and Father;
Yea! once Immanuel's orphaned cry
His universe hath shaken-

It went up single, echoless,
"My God, I am forsaken!"

It went up from the Holy's lips
Amid his lost creation,

That of the lost, no son should use

Those words of desolation;

That, earth's worst frenzies, marring hope,

Should mar not hope's fruition;

And I, on Cowper's grave, should see

His rapture, in a vision!


Literature of the Nineteenth Century.

Literature of our own times-Influence of political and social relations-The historic relations of literature-The French Revolution, and its effects-Infidelity-Thirty years' Peace-Scientific progress coincident with letters-History-Its altered tone-Arnold-Prescott-Niebuhr-Gibbon-Hume-Robertson-Religious element in historical style-Lord Mahon-Macaulay's History-Historical romance-Waverley Novels-The pulpit-Sydney Smith-Manning— Poetry of the early part of the century-Bowles and Rogers-Campbell-Coleridge's Christabel-Lay of the Last Minstrel-Scott's poetry.

IN my last lecture, I noticed the date of the death of Cowper, in the year 1800, as conveniently marking the close of the literature of the eighteenth century. The excellence of his prose, as well as of his poetry, and his share in that literary revival which began during the latter part of that century, make such a use of his name subservient, in a reasonable rather than an arbitrary manner, to the purposes of literary chronology. We pass thence into what may be entitled "The Literature of our own Times," or, having nearly completed its era of fifty years, "The Literature of the first half of the Nineteenth Century." It has its characteristics-distinctive qualities, with their origin from within, in the minds of those whose writings make the literature, and from without, in the influence exerted on those minds by the world's doings

* January 21, 1850.

and the world's condition. In the study of literature, it is needful, for our knowledge of it, to look at it in its relation to civil and political history, in order to understand how, in a greater or less degree, it takes a colour from the times. The mind of no author can dwell so aloof from his generation that his thoughts and feelings shall be above or beyond outward influences. He is more or less what he is, because he is where he is. These outward influences affect genius of the highest order, with this difference, indeed, that they do not limit or control it, but, by its own inborn power, it carries them up, idealized, into the highest truth for the perpetual good of all after time.

Looking back to the early and distant eras of English literature, it is not difficult to trace the relations between the literature and the national history-the record of words and the record of actions and events. The full and varied outburst of poetry, grave and gay, in Chaucer, becomes a more intelligible phenomenon when we think of it in association with the chivalry, the enterprise, and the cultivation of Edward the Third's long and glorious reign. The genius of Spenser and the genius of Shakspeare shine with a clearer light when our eyes look at it as issuing from the Elizabethan age-that age strenuous with thoughts and acts, chivalrous, philosophical, adventurous, of whose great men it might be said, as it was said of one of them, that they were so contemplative you could not believe them active, and so active you could not believe them contemplative. Milton's great epic seems, at first thought, strangely uncongenial to the immediate period of its appearance; but ceases to be so when it is thought of as engendered in those years

of ordeal through which Milton's mind had passed in the times of the Civil War, the Commonwealth, and the Protectorate. The age that Dryden lived in left a more unresisted impress on his genius-the stamp of a degenerate and dissolute generation; and the pages of Pope have their commentary in the reflection they give of an artificial and sophisticated state of society-an age of wits and freethinkers; so that when his genius rose to its most imaginative strain, it could not content itself with a theme less stimulant than the revolting story of Abelard and Eloisa.

When we come to the study of the literature of our own times, it is, of course, more difficult to trace the historic relation of literature, because it is the literature of our own times—times which have not yet become a part of history. We stand too near them-are, indeed, too much in them to see them clearly, dispassionately, to measure the prevailing influences, and understand them justly. We cannot yet adventure to speak of the literature of this century as hereafter they may do who shall look back to it from a distance, when time, and the calm judgments time brings along with it, shall group the authors of these times in their true places; and when the narrowness of contemporary partiality, or, what is worse, contemporary prejudice, shall be expanded to a larger wisdom.

We cannot err in this, that the half century, now nearly completed, has been distinguished by great intellectual and imaginative activity. The revival, which began in the latter part of the last century, was, in a great measure, the reaction from the overwrought artifice and formality of thought, and feeling, and expression of the times that had gone before. The hearts of men began to assert once more their claims to what Nature could

give them, and the poets, who are Nature's interpreters. Other agencies, besides the simple power of reaction, were at work on the European mind, giving it an impulse to break through old and contracted conventional restraints, calling forth freer movements of thought and feeling. I refer especially to the general agitation throughout Europe consequent on the French Revolution. Change was the condition of the closing years of the last century. Things which had endured for ages were perishing, not by slow gradations of decay, but by quick and unlooked-for violence. Time-honoured institutions were not suffered to attain the limit of their natural existence, and then to sink under the gradual accumulation of years, but were swiftly swept away by a new compulsion. The clenched hand of prescriptive tyranny was forced to loose its grasp; and if simpler generations of men, in the olden time, had held to the fond belief that

"Not all the water in the rough, rude sea

Can wash the balm from an anointed king,"

men of the new times were ready to shed the blood of king and queen with pitiless contempt. The people in one of the central monarchies of Europe had suddenly started up, and, casting away respect for prerogative, boldly questioned the authority of a power which so long had trampled on them. Men began to ask why the bounties of heaven should be garnered up for the bloated luxury of the few, while the many were pining, hungry and heart-stricken. The sympathies of Christendom were, for a season, enlisted; and the pulse of other nations began to beat quicker. The French Revolution began to assume the aspect of a general European revolution. Ancient

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