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THE

QUARTERLY REVIEW.

ART. I.-The Dramatic Works and Poems of James Shirley,
now first collected. With Notes by the late William Gifford,
Esq. And additional Notes, and some Account of Shirley
and his Writings, by the Rev. Alexander Dyce. 6 vois.
London, 1832.

SHIRLEY at length takes his place among the poets of

England. His collected works are, for the first time, within
the reach of the common reader. A few years ago these volumes
would have excited more general interest, and stood a chance of
more extensive popularity. The admiration of our older drama-
tists was then at its height. The wonder and delight raised by
a vein of poetry so rich and so deep, almost suddenly disclosed,
tempted the public mind to imagine that its wealth was inexhaust-
ible, and, in the fresh ardour of enthusiasm, it refused to suspect
that much dross might be mingled with the precious metal. The
strong excitement, in those days, perpetually administered by mo-
dern poetry, kept the popular taste in a state prepared, and wrought
up, as it were, to receive with pleasure the force, the passionate
vehemence, the splendid imagery of our ancient theatre. Most of the
successful poets then living were professed admirers, some avoweİ
imitators, of the Elizabethan dramatists. They seemed to demand,
and obtained a favourable hearing for their masters in the art.

If latterly this ardour of the public mind has sunk into compara
tive apathy, and its curiosity languished into indifference, we are
not inclined altogether to ascribe this defection from the objects of
brief idolatry to its general inconstancy:-the blame must be borne,
at least in an equal share, by the injudicious panegyrists of our
older poets. Of these some had but a cold, an antiquarian, or a
bibliomaniac passion for these neglected writers-wey knes, wa
their invention, their poetry, their character, but their rarity; the
admiration rose and fell, not with the kindling of their inaqiaton,
or the thrilling of their inmost heart, but with the antivad
watched vibrations of Mr. Sotheby's or Mr. Evan's hammer;
their principles of taste were on the margin of a Roxburge cata
logue—and inestimable must be the merit of that drama worch was
not to be found in the Malone or the Garrick collection. But this
was innocent in comparison with the patronage of wother can,
by which the older dramatists were incumbered. These were a

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