Julius CaesarPenguin, 01.12.2000 - 304 Seiten The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... appears in Francis Meres's Palladis Tamia (1598), a not especially imaginative and perhaps therefore persuasive record of literary reputations. Reviewing contemporary English writers, Meres lists the titles of many of Shakespeare's ...
... appears in Francis Meres's Palladis Tamia (1598), a not especially imaginative and perhaps therefore persuasive record of literary reputations. Reviewing contemporary English writers, Meres lists the titles of many of Shakespeare's ...
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... appear the claims that Francis Bacon (from whom Delia Bacon eventually claimed descent), Walter Ralegh, and several other contemporaries of Shakespeare's had written the plays. The book had little impact except as a ridiculed curiosity ...
... appear the claims that Francis Bacon (from whom Delia Bacon eventually claimed descent), Walter Ralegh, and several other contemporaries of Shakespeare's had written the plays. The book had little impact except as a ridiculed curiosity ...
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... appearing as a ghost before the final battle. In terms of circulating the collective energies of the drama under the name of Caesar, Shakespeare and his company would have tapped into tremendous contemporary interest, and contestation ...
... appearing as a ghost before the final battle. In terms of circulating the collective energies of the drama under the name of Caesar, Shakespeare and his company would have tapped into tremendous contemporary interest, and contestation ...
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... appears to Brutus. Entering with Caesar's body in tow, Antony proceeds to juxtapose this physical reminder of brutal violence with the increasingly meaningless category of Brutus's elusive “honor.” Brutus “is an honorable man,” we hear ...
... appears to Brutus. Entering with Caesar's body in tow, Antony proceeds to juxtapose this physical reminder of brutal violence with the increasingly meaningless category of Brutus's elusive “honor.” Brutus “is an honorable man,” we hear ...
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... appear to have righted the wrongs committed by an envious band of oligarchs. But righted these wrongs for whom? The fact that Antony succeeds in bringing the populace to his side does not necessarily mean that he has the people's best ...
... appear to have righted the wrongs committed by an envious band of oligarchs. But righted these wrongs for whom? The fact that Antony succeeds in bringing the populace to his side does not necessarily mean that he has the people's best ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong