...of machinery, which, like the Eolian harp. passive, takea the impression of the pass ing accident t Or do these workings argue something within us above...immaterial and immortal nature — and a world of weal or wo beyond death and the grave. No. LXIV. TO DR. MOORE. - Ellitland, near Dvmfriet, \'h Jan. 1789....

...be owing ? Are we a piece of machinery, which, like the ^olian harp, passive, takes the"impression of the passing accident ? Or do these workings argue...important realities — a God that made all things — mini's immaterial and immortal nature — and a world of weal or wo beyond death and the grave."...

...me, my dear friend, to what can this be owing ? Are we a piece of machinery which, like the Eolian harp, passive, takes the impression of the passing...argue something within us, above the trodden clod."* The mind of Burns was highly poetical, and in such a mind, when the passions are at rest, the pure...

...me, my dear friend, to what this can be owing ? Are we a piece of machinery, which, like the JEoh'an harp, passive, takes the impression of the passing...immaterial and immortal nature —and a world of weal or wo beyond death and the grave." Few, it is to be hoped, can read such things as these without delight...

...me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian harp, passive, takes the impression of the passing...immaterial and immortal nature — and a world of weal or woe beyond death and the grave. RB [That this mood of feeling and reflection was not uncommon in...

...me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the ^Eolian harp, passive, takes the impression of the passing...immaterial and immortal nature, and a world of weal or woe beyond death and the grave." I must be forgiven for citing two or three lines only from one...

...autumnal morning, without feeling the elevation of soul, like the enthusiasm of devotion or poetry. ' Do these workings argue something within us above...world of weal and woe beyond death and the grave.' ' Audubon, in his Introduction to his fine work on Birds, says, ' The scenes of nature soon became...

...autumnal morning, without feeling the elevation of soul, like the enthusiasm of devotion or poetry. ' Do these workings argue something within us above...world of weal and woe beyond death and the grave.' • Audubon, in his Introduction to his fine work on Birds, says, ' The scenes of nature soon became...

...an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Do these workings argue something within us above...immaterial and immortal nature, and a world of weal or woe beyond death and the grave." Thus eloquently could Burns discourse upon his own emotions ; he...

...tumnal morning, without feeling the elevation of soul, like the enthasiasm of devotion nr poetry. " Do these workings argue something within us above...own myself partial to such proofs of those awful and impof" tant realities; a God that made all things, man's immaterial and immortal nature, and a world...