 | William Shakespeare - 1841 - 398 Seiten
...upon her ! There 's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive * of her body. O, these encounterers, so glib of tongue. That give a coasting* welcome ere it comes. And wide unclasp the tables of their... | |
 | Blowhard - 1841 - 316 Seiten
...answered in poetry, or something like it, as if acting a play. I recollect the words very well : — ' There's language in her eye, her cheek, her lip : Nay, her foot speaks ; her wanton spirits look out At every joint and motion of her body !' The Baroness, though... | |
 | Cathy Lynn Preston - 1995 - 294 Seiten
...about sexism and a good deal more. Writing Women: The Romance Writers of America 1992 Spring Conference Fie, fie upon her! There's language in her eye, her cheek, her lip. Nay. her foot speaks; her wanton spirits look out At every joint and motive of her body. — William Shakespeare... | |
 | Hugh Grady - 1996 - 270 Seiten
...been read as Ulysses interprets it at the end, as proof of Cressida's infidelity and worthlessness: Fie, fie upon her! There's language in her eye, her cheek, her lip. Nay, her foot speaks; her wanton spirits look out At every joint and motive of her body. (iv. v. 54-7) But in Ulysses... | |
 | Lisa Jardine - 1996 - 228 Seiten
...the same joke as die one made at Cressida's expense in Troilus and Cresstda (4.5.54-63): ''Ulysses. Fie, fie upon her! / There's language in her eye, her cheek, her lip - / Nay, her foot speaks; her wanton spirits look out / At every joint and motive of her body. / O, these encounterers,... | |
 | J. L. Styan - 1996 - 452 Seiten
...Greeks and leaves the stage under the jaundiced eye of Ulysses: NESTOR. A woman of quick sense. ULYSSES. Fie, fie upon her! There's language in her eye, her cheek, her lip Nay, her foot speaks; her wanton spirits look out At every joint and motive of her body. (4-5-54-7) It is for the... | |
 | Gordon Williams - 1996 - 298 Seiten
...all the more unfair because it is he who has exposed her to promiscuous handling: Her wanton spirits look out At every joint and motive of her body. O these encounterers so glib of tongue, That give accosting welcome ere it comes, And wide unclasp the tables of their thoughts... | |
 | John Leeds Barroll, Susan P. Cerasano - 1996 - 300 Seiten
...English Proverbs (Oxford: Clarendon Press, 1970), p. 665, as occurring in 1602's Troilus and Cressida — "There's language in her eye, her cheek, her lip; / Nay, her foot speaks" (IV. vi. 55-56); indeed the play brims with references to body language. In Antony and Cleopatra... | |
 | Frederick Kiefer - 1996 - 394 Seiten
...when Ulysses watches Cressida kissing the Greeks, we witness figurative rather than literal reading: "There's language in her eye, her cheek, her lip, / Nay, her foot speaks; her wanton spirits look out / At every joint and motive of her body" (4.5.55-57). Ulysses'... | |
 | Barbara Korte - 1997 - 348 Seiten
...CRITICAL FRAMEWORK FOR THE ANALYSIS OF BODY LANGUAGE IN (NARRATIVE) LITERATURE Categories of Body Language There's language in her eye, her cheek, her lip, Nay, her foot speaks; her wanton spirits look out At every joint and motive of her body. Shakespeare, Troilus and... | |
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Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. 
