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" Saturn laugh'd and leap'd with him. Yet nor the lays of birds nor the sweet smell Of different flowers in odour and in hue Could make me any summer's story tell, Or from their proud lap pluck them where they grew ; Nor did I wonder at the lily's white,... "
A Garland of Love, Wreathed of Pleasant Flowers, Gathered in the Field of ... - Seite 77
von Garland - 1836 - 219 Seiten
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The Sonnets: Poems of Love

William Shakespeare, William Burto - 1980 - 154 Seiten
...birds, nor the sweet smell Of different flowers in odor and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew. Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight,...
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Biographia Literaria, Or, Biographical Sketches of My Literary Life and Opinions

Samuel Taylor Coleridge - 1984 - 856 Seiten
...at the lilies white. Nor praise the deep vermillion in the rose; They were, tho' sweet, but f'gures of delight, Drawn after you, you pattern of all those....it winter still, and you away, As with your shadow 1 with these did play! Scarcely less sure, or if a less valuable, not less indispensable mark ytvvatot'...
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Shakespeare's Metrical Art

George T. Wright - 1988 - 363 Seiten
...metrical feet): Nor did I won|der at | the lily's white, Nor praise the deep vermi|lion in | the rose; 82 They were but sweet, but fi|gures of | delight, Drawn after you, you pat|tern of | all those. (98:9-12) In such lines the weakness of one foot is likely (though not certain) to be redressed by...
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Virginia Woolf and the Fictions of Psychoanalysis

Elizabeth Abel - 1989 - 181 Seiten
...birds, nor the sweet smell Of different flowers in odor and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew: Nor did I wonder at the lily's white, Nor praise the deep vermillion in the rose; They were but sweet, but figures of delight,...
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Women's Re-visions of Shakespeare: On the Responses of Dickinson, Wooff ...

Marianne Novy - 1990 - 260 Seiten
...the spring, / When proud-pied April, dressed in all his trim — . . . Nor did I wonder at the lily's white / Nor praise the deep vermilion in the rose,...of delight, / Drawn after you, you pattern of all those."8 More explorations are needed to discover whether women's responses to other canonical male...
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Sonetti

William Shakespeare - 1992 - 212 Seiten
...different flowers in odour and in hue, Could ma\e me any summer's story tell: Or from their proud lap pluc\ them where they grew: Nor did I wonder at the lilies...white, Nor praise the deep vermilion in the rose, 10 They were but sweet, but figures of delight: Drawn after you, you pattern of all those. Yet seem'd...
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The Poems and Sonnets of William Shakespeare

William Shakespeare - 1994 - 197 Seiten
...birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew: Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight,...
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Shakespeare's Sonnets

William Shakespeare - 1995 - 182 Seiten
...birds nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew; Nor did I wonder at the lily's white, 10 Nor praise the deep vermilion in the rose, They were but sweet, but figures of delight...
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Aufsätze zur englischen Versdichtung: von Chaucer bis Dylan Thomas

Ewald Standop - 1995 - 155 Seiten
...daß es seine Einsamkeit sei, die ihn am Genuß der Farben hindert; doch der Sprecher fährt fort: "They were but sweet, but figures of delight, / Drawn after you, you pattern of all those" (98.1 1 f.). Damit ist die Argumentation in die Gedankenwelt von Sonett 53 eingeschwenkt, was durch...
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Shakespeare's Theory of Drama

Pauline Kiernan - 1998 - 218 Seiten
...forms and their substances. As 98 insists: the lily's white and the deep vermilion in the rose 'were but figures of delight, / Drawn after you, you pattern of all those' (9- 1 2). But look how Shakespeare exploits this sonneteering convention to introduce the idea that...
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