 Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then, the justice, In fair round belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances...  The Dramatic Works of W. Shakespeare - Seite 210von William Shakespeare - 1849 - 925 SeitenVollansicht - Über dieses Buch
 | Stanley Wells - 2002 - 244 Seiten
...age', his broken voice should remind us of a similar description in Jaques's seven 'ages': The sixt age shifts Into the lean and slipper'd pantaloon,...childish treble, pipes And whistles in his sound. (As You Like It, 2.7.157-63) Can Falstaffs broken voice be anything but this?8 He may seem older in... | |
 | Kenneth Ewart Boulding - 1990 - 268 Seiten
...societies escaped. POWER IN OLD AGE Shakespeare's view of old age is not particularly attractive. "The sixth age shifts / Into the lean and slipper'd pantaloon,...childish treble, pipes / And whistles in his sound." Respect for age, and the power, therefore, that age may give, varies from one society to another. Even... | |
 | Jerry Blunt - 1990 - 232 Seiten
...of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age sifts Into the lean and slipper'd pantaloon, With spectacles...whistles in his sound. Last scene of all, That ends this strange eventual history, Is second childishness and mere oblivion — Sans teeth, sans eyes, sans... | |
 | Suzy Platt - 1992 - 550 Seiten
...And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon [dotard], With spectacles on nose and pouch on side, His youthful...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Joy Chaitin, Sarah Stevens-Estabrook - 1995 - 52 Seiten
...belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Judith Viorst - 2010 - 452 Seiten
...belly, with good capon lin'd. With eyes severe, and beard of formal cut, Full of wise saws and modern instances. And so he plays his part: The sixth age...whistles in his sound: Last scene of all, That ends this strange eventful history. Is second childishness, and mere oblivion; Sans teeth, sans eyes, sans taste,... | |
 | Jorge Arditi - 1998 - 323 Seiten
...belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste,... | |
 | Karl Erik Rosengren - 2000 - 244 Seiten
...belly with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age...whistles in his sound. Last scene of all That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Alec Reed - 2001 - 168 Seiten
...belly with good capon lin'd, With eye severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; THE CASE STUDIES Research for this... | |
 | Harold Bloom - 2001 - 750 Seiten
...with good capon lin'd, / With eyes severe, and beard of formal cut, / Full of wise saws, and modern instances, /And so he plays his part. The sixth age...again toward childish treble, pipes / And whistles in hissonnd. Lastscene ofall, /Thatends this strange eventfnl history, / Is second childdisness and mere... | |
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