...his dependants; a spiritless poltroon in his interview with Romont. Lothario (as Johnson observes) ' with gaiety which cannot be hated, and bravery which...despised, retains too much of the spectator's kindness.' His high spirit, brilliant qualities, and fine person, are so described, as to put us in danger of...

...original in the moral effect of the fiction. Lothario, with gaiety which cannot be $1 PREFATORY MEMOIR hated, and bravery which cannot be despised, ^retains...virtuous resentment overpower all the benevolence which wit, and elegance, and courage, naturally excite ; and to lose at last the hero in the villain." Still,...

...into that ef Lovelace; but he has excelled his original in the moral effect of the fiction. Lothario with gaiety which cannot be hated, and bravery which...virtuous resentment overpower all the benevolence which wit, and elegance, and courage, naturally excite; and to lose at last the hero in the villain. » Still,...

...of court, till he had produced two plays; that is till 1702, at which time he was twenty-nine. SI. gaiety which cannot be hated, and bravery which cannot...virtuous resentment overpower all the benevolence which wit, elegance, and courage, naturally excite ; and to lose, at last, the hero in the villain. The fifth...

...of court, till he had produced two plays ; that is till 1702, at which time he was twenty-nine. M. gaiety which cannot be hated, and bravery which cannot...virtuous resentment overpower all the benevolence which wit, elegance, and courage, naturally excite ; and to lose, at last, the hero in the villain. The fifth...

...of court, (ill he had produced two plays; that is till 1702, at which time he was twenty-nine, fll. gaiety which cannot be hated, and bravery which cannot...virtuous resentment overpower all the benevolence which wit, elegance, and courage, naturally excite ; and to lose, at last, the hero in the villain. The fifth...

...original in the moral effect of fiction. Lothario, with gaiety which cannot be hated, and bravery whicli cannot be despised, retains too much of the spectator's...virtuous resentment overpower all the benevolence which wit, elegance, and courage, naturally incite ; and to lose at last the hero in the villain. The fifth...

...Richardson into Lovelace ; but he has excelled his original in the moral effect of the fiction. Lothario, with gaiety which cannot be hated, and bravery which...kindness. It was in the power of Richardson alone to teach ns, at once, esteem and detestation ; to make virtuous resentment overpower all the benevolence which...

...Richardson into Lovelace; but he has excelled his original in the moral effect of the fiction. Lothario, with gaiety which cannot be hated, and bravery which...virtuous resentment overpower all the benevolence which wit, elegance, and courage, naturally excite ; and to lose at last the hero in the villain. The fifth...

...into that of Lovelace ; but he has excelled his original in the moral effect of the fiction. Lothario, with gaiety which cannot be hated, and bravery which...virtuous resentment overpower all the benevolence which wit, and elegance and courage naturally excite, and to lose at last the hero in the villain." To the...