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" Truth might lie between He was certainly sixty-five; and the general air of his countenance, notwithstanding something seemed to have been planting wrinkles in it before their time, agreed to the account. It was one of those heads, which Guido has often... "
The Works of Laurence Sterne ... - Seite 7
von Laurence Sterne - 1780
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Notes and Journal of Travel in Europe, 1804-1805, Band 3

Washington Irving - 1921 - 224 Seiten
...Calais. ' ' It was one of those heads, which Guido has often painted — mild, pale — penetrating, free from all commonplace ideas of fat contented ignorance looking downwards upon earth — it look'd forwards; but look'd, as if it look'd at something beyond this world." (Sterne,...
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Il viaggio sentimentale

Laurence Sterne - 1922 - 616 Seiten
...was cerlainty sixty.five; and the general air of Ids countcnance, notwithslanding something seemed to have been planting wrinkles in it before their time, agreed to the account. It was one of those heads which Guido has oflen painled — mild, pale — penetrating, free from all common. penetrante,...
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The Oxford Book of English Prose

Arthur Quiller-Couch - 1925 - 1262 Seiten
...was certainly sixty-five ; and the general air of his countenance, notwithstanding something seemed to have been planting wrinkles in it before their time, agreed to the account. It was one of those heads which Guido has often painted — mild, pale — penetrating, free from all common-place...
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The Life and Times of Laurence Sterne, Band 2

Wilbur Lucius Cross - 1925 - 378 Seiten
...those heads," Sterne saw at a glance, "which Guido has often painted — mild, pale — penetrating, free from all commonplace ideas of fat contented ignorance looking downwards upon the earth it look'd forwards; but look'd, as if it look'd at something beyond this world." Advancing into...
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The Oxford Book of English Prose

Sir Arthur Thomas Quiller-Couch - 1925 - 1124 Seiten
...the account. It was one of those heads which Guido has often painted — mild, pale — penetrating, free from all common-place ideas of fat contented ignorance looking downwards upon the earth — it looked forwards ; but looked, as if it looked at something beyond this world. How one...
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Harper's Anthology: Prose

Frederick Alexander Manchester, William Frederic Giese - 1926 - 924 Seiten
...was certainly sixty-five; and the general air of his countenance, notwithstanding something seemed to have been planting wrinkles in it before their time, agreed to the account. It was one of those heads which Guido has often painted — mild, pale, penetrating, free from all commonplace ideas...
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A Sentimental Journey Through France & Italy: With Selections from the ...

Laurence Sterne - 1926 - 324 Seiten
...He was certainly sixtyfive; and the general air of his countenance, notwithstanding something seem'd to have been planting wrinkles in it before their time, agreed to the account. It was one of those heads which Guido has often painted mild, pale penetrating, free from all commonplace ideas of...
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Harper's Anthology for College Courses in Composition and Literature: Of ...

Frederick Alexander Manchester, William Frederic Giese - 1926 - 928 Seiten
...was certainly sixty-five; and the general air of his countenance, notwithstanding something seemed to have been planting wrinkles in it before their time, agreed to the account. It was one of those heads which Guido has often painted — • mild, pale, penetrating, free .from all commonplace...
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Works, Band 6

Laurence Sterne - 1927 - 304 Seiten
...was certainly sixty-five ; and the general air of his countenance, notwithstanding something seemed to have been planting wrinkles in it before their time, agreed to the account. It was one of those heads which Guido has often painted — mild, pale — penetrating, free from all commonplace...
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English Prose Style

Herbert Read, Sir Herbert Edward Read - 1928 - 262 Seiten
...was certainly sixty-five ; and the general air of his countenance, notwithstanding something seem'd to have been planting wrinkles in it before their time, agreed to the account. It was one of those heads which Guido has often painted — mild, pale — penetrating, free from all commonplace...
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