...internal motives (all that which is unseen) to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action...is almost exclusively the mind and its movements." 1 1 Works of Charles Lamb, 1818, vol. ii., p. 27. In one of " Two Old Men's Tales," 1834, entitled...

...internal motives (all that which is unseen) to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action...is almost exclusively the mind and its movements." ' 1 Works of Charles Lamb, 1818, vol. ii., p. 27. In one of " Two Old Men's Tales," 1834, entitled...

...internal motives (all that which is unseen) to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action...is almost exclusively the mind and its movements." ' 1 Works of Charles Lamb, 1818, vol. ii., p. 27. In one of " Two Old Men's Tales," 1834, entitled...

...motives — all that which is unseen — to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action...very different sort of delight with which the same |>lay so often affects us in the reading and the seeing. It requires little reflection to perceive,...

...internal motives (all that which is unseen) to overpower and reconcile the first and obvious prejudices. What we see upon a stage is body and bodily action...is almost exclusively the mind and its movements." ' 1 Works of Charles Lamb, 1818, vol. ii., p. 27. In one of " Two Old Men's Tales," 1834, entitled...

...motives — all that which is unseen — to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action...affects us in the reading and the seeing. , It requires liule reflection to perceive, that if those characters in Shakspeare which are within the precincts...

...motives — all that which is unseen — to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action...seeing. It requires little reflection to perceive, that if those characters in Shakspeare which are within the precincts of nature, have yet something...

...motives— all that which is unseen — to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action...seeing. It requires little reflection to perceive, that if those characters in Shakspeare which are within the precincts of nature, have yet something...

...as is apparent by the awkward shifts they have- recourse to, to make them look not quite naked; by a sort of prophetic anchronism, antedating the invention...seeing. It requires little reflection to perceive, that if those characters in Shakspeare which are within the precincts of nature, have yet something...

...taking no Frenchman's word. Elsewhere again, Lamb may be said to condense his argument into this shape : What we see upon a stage is body and bodily action...exclusively the mind, and its movements ; and this he thinks may sufficiently account for the very different sort of delight with which the same play...