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" Why, look you now, how unworthy a thing you make of me. You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music,... "
The dramatic works of William Shakspeare - Seite 62
von William Shakespeare - 1814
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Shakespeare and the Interpretive Tradition

Stephen Orgel, Sean Keilen - 1999 - 394 Seiten
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The Arden Dictionary of Shakespeare Quotations

William Shakespeare - 1999 - 412 Seiten
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The Arden Dictionary of Shakespeare Quotations

William Shakespeare - 1999 - 416 Seiten
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Shakespeare's Sonnets: Critical Essays

James Schiffer - 2000 - 500 Seiten
...explanatory prose. Instead, he appended A Lover's Complaint, as if to tell the wider lyric audience, "Why, look you now, how unworthy a thing you make...stops, you would pluck out the heart of my mystery" (Hamlet 3.2.363-66). Why then, you figure it out. As Shakespeare warns us from the very outset of A...
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Hamlet

William Shakespeare - 1999 - 324 Seiten
...stops. GUILDENSTERN But these cannot I command to any utterance of harmony. I have not the skill. HAMLET Why look you now how unworthy a thing you make of...play upon me, you would seem to know my stops, you .t.1o would pluck out the heart of my mystery, you would sound me from my lowest note to the top of...
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The Tragedies

William Shakespeare - 1959 - 1394 Seiten
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Literatuurwetenschap tussen betrokkenheid en distantie

Liesbeth Korthals Altes, Dick H. Schram - 2000 - 428 Seiten
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Heinemann Advanced Shakespeare: Hamlet

William Shakespeare - 2000 - 356 Seiten
...to any utterance of harmony; I have not the skill. HAMLET Why look you now how unworthy a thing 360 you make of me. You would play upon me, you would...lowest note to the top of my compass; and there is much music, excellent voice in this 365 little organ, yet cannot you make it speak. 'Sblood do you think...
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Shakespeare's Brain: Reading with Cognitive Theory

Mary Thomas Crane - 2010 - 276 Seiten
...vehemently denies his instrumentality in language that links it to the possession of hidden interiority: "You would play upon me, you would seem to know my...lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak" (3.2.364-69). However,...
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Making Theatre: From Text to Performance

Peter Mudford - 2000 - 272 Seiten
...disloyalty, he reminds him of an important difference between the solo player and the member of the company: You would play upon me; you would seem to know my...lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. (Act III, scene 2) The...
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