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" Tis not enough no harshness gives offence, The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse... "
The Speaker; Or, Miscellaneous Pieces: Selected from the Best English ... - Seite 91
von William Enfield - 1827 - 346 Seiten
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The Rambler, Band 2

Samuel Johnson - 1822 - 372 Seiten
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The Speaker: Or Miscellaneous Pieces, Selected from the Best English Writers ...

William Enfield - 1823 - 412 Seiten
...from act, not chance, As those move easiest who have learn'd to dance. Tis not enough no harshness gives offence, The sound must seem an echo to the...so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the nuim . Hear how Timotheus' varied lays surprise, And bid alternate...
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The British Essayists: Spectator

Lionel Thomas Berguer - 1823 - 278 Seiten
...That like a wounded snake drags its slow length along. And afterward, "f is not enough no harshness gives offence, The sound must seem an echo to the...so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main. The beautiful distich upon Ajax in the foregoing lines...
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The English Master: Or, Student's Guide to Reasoning and Composition ...

William Banks - 1823 - 462 Seiten
...the manner in which they are read. " ' 'Tis not enough no harshness gives offence, The sound should seem an echo to the sense. Soft is the strain when...so when swift Camilla scours the plain, Flies o'er the unbending corn and skims along the main." " Of Inversion. SOME languages in regard to the arrangement...
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The Bardiad: A Poem ; in Two Cantos

Charles Burton - 1823 - 234 Seiten
...asperity, of slowness and velocity, are as complete, as, in the nature of things, they can be:— " Soft is the strain when Zephyr gently blows, And the...so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main." In this specimen, however, (which is probably the best...
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Continuation of the Rambler

Samuel Johnson, Arthur Murphy - 1823 - 514 Seiten
...strain, when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud billows lash the sounding shore, The hoarse rough verse should...so when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main. From these lines, laboured with great attention, and...
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The Rambler: In Three Volumes ...

Samuel Johnson - 1823 - 458 Seiten
...strain, when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud billows lash the sounding shore, The hoarse rough verse should...so when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main. From these lines, laboured with great attention, and...
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Lessons in Elocution: Or, a Selection of Pieces in Prose and Verse for the ...

William Scott - 1823 - 396 Seiten
...from art, not chance, As those move easiest who have learn'd to dance. 'Tis not enough no harshness gives offence ; The sound must seem an echo to the...sounding shore, The hoarse rough verse should like a torrent roar. When Ajax strives some rock's vast weight to throw, The line, too, labours, and the...
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The American First Class Book, Or, Exercises in Reading and Recitation

John Pierpont - 1823 - 492 Seiten
...the strain when Zephyr gently blow?, And the smooth stream in smoother numbers flows ; But when lond surges lash the sounding shore, The hoarse, rough...slow: Not so when swift Camilla scours the plain, Flics o'er the unbending corn, and skims along the main. Hear how Timotheus' varied lays surprise,...
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The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century

H. B. Nisbet, Claude Rawson - 2005 - 978 Seiten
...proclaims a principle, 'The Sound must seem an Eccho to the Sense' (line 365), then illustrates it: When Ajax strives, some Rock's vast Weight to throw,...so, when swift Camilla scours the Plain, Flies o'er th'unbending Corn, and skims along the Main. (II. 370-3) The Essay on Criticism is not, like most of...
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