There was, therefore, before the time of Dryden no poetical diction, no system of words at once refined from the grossness of domestic use, and free from the harshness of terms appropriated to particular arts. Words too familiar, or too remote, defeat... The Works of Samuel Johnson, LL.D. - Seite 395von Samuel Johnson, Arthur Murphy - 1820Vollansicht - Über dieses Buch
| Samuel Johnson - 1835 - 476 Seiten
...particular arts. Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on small or on coarse occasions, we...on themselves which they should transmit to things. It may be doubted whether Waller and Deuham could have overborne the prejudices which had long prevailed,... | |
| William Cowper - 1836 - 406 Seiten
...to the great father of English poetry. But when Johnson asserts that before the time of Dryden " the happy combinations of words which distinguish poetry from prose had been rarely attempted," and that " there was no poetical diction, no system of words at once refined from the grossness 14... | |
| Samuel Johnson - 1837 - 752 Seiten
...or ote, defeat the purpose of a poet. From ounds which we near on email or on too remoti those sou coarse occasions, we do not easily receive strong...attention on themselves which they should transmit to tilings. Those happy combinations of words which distinguished poetry from prose had been rarely attempted... | |
| Samuel Johnson - 1838 - 716 Seiten
...Words too familiar, or too remote, defeat the purpose of a por t. Front Jiose sounds which we near on small or on coarse occasions, we do not easily receive strong repressions, or delightful images ; and words to which we are nearly strangers, whenever they occur,... | |
| Robert Southey - 1839 - 380 Seiten
...to his age, that he may easily have But when Johnson asserts that before the time of Dryden, " the happy combinations of words which distinguish poetry from prose had been rarely attempted," and that " there was no poetical diction, no system of words at once refined from the grossness 14... | |
| Robert Southey - 1839 - 382 Seiten
...art. The superiority of the couplet to But when Johnson asserts that before the time of Dryden, " the happy combinations of words which distinguish poetry from prose had been rarely attempted," and that " there was no poetical diction, no system of words at once refined from the grossness 14... | |
| Robert Southey - 1843 - 388 Seiten
...the great father of English poetry. But when Johnson asserts that before the time of Dryden, " the happy combinations of words which distinguish poetry from prose had been rarely attempted," and that " there was no poetical diction, no system of words at once refined from the grossness 14... | |
| Richard Hiley - 1846 - 330 Seiten
...hear on common occasions, do not usually make strong impressions or convey delightful images; while words, to which we are nearly strangers, whenever they occur, draw that attention to themselves which they should convey to things. A certain strength and nobleness of style, particularly... | |
| William Cowper - 1853 - 526 Seiten
...to the great father of English poetry. But when Johnson asserts that before the time of Dryden " the happy combinations of words which distinguish poetry from prose had been rarely attempted," and that " there was no poetical diction, no system of words at once refined from the grossness" of... | |
| Samuel Johnson - 1854 - 346 Seiten
...confusion, and every man took for every purpose what chance might offer him. of a poet. From those sounds which we hear on small or on coarse occasions we do...easily receive strong impressions or delightful images ; aud words to which we are nearly strangers, whenever they occur, draw that attention on themselves... | |
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