 | Brian Winston - 2005 - 430 Seiten
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 | Michael Hattaway - 2005 - 272 Seiten
...player becomes the very figure of the emotion proper to his character, here 'the distracted lover': Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | Kathy Elgin - 2005 - 36 Seiten
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went... | |
 | Kenneth S. Jackson - 2005 - 324 Seiten
...follows, Shakespeare calls attention not just to Hamlet's "inaction," but the wonder of "playing": Is it not monstrous that this player here, But in...his own conceit That from her working all his visage waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Stef Craps - 2005 - 252 Seiten
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 | Jean Benedetti - 2005 - 264 Seiten
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 | Robert Cohen - 2005 - 312 Seiten
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 | Barbara Goward - 2005 - 166 Seiten
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Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function... 
