...the keenest description, and many of his lyrics bear testimony to the truth of his averment that Most men Are cradled into poetry by wrong ; They learn in suffering what they teach in song. One cannot help thinking that Shelley's natural place in the world would be that of a spiritualized...

...Romantic ideology. This is what Shelley's famous passage on the nature of Romantic experience means: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. ("Julian and Maddalo," 544-6) Shelley's presentation of the tensions and contradictions which typify...

...Rebellion schreibe, aber nichts tue. Brenton legt Byron Verse aus Shelleys Julian and Maddalo in den Mund: "Most wretched men/ Are cradled into poetry by wrong,/...They learn in suffering what they teach in song." Howard glaubt, Byron/Shelley sagen, daß Ungerechtigkeit und Inhumanität die 'meisten unglücklichen...

...Such as in measure were called poetry; And 1 remember one remark which then Maddalo made. He said: 'Most wretched men Are cradled into poetry by wrong:...They learn in suffering what they teach in song.' If I had been an unconnected man, I, from this moment, should have formed some plan Never to leave...

...Such as in measure were called poetry; And I remember one remark which then Maddalo made. He said: "Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. "40 Keats agreed. "Do you not see how necessary a World of Pains and troubles is to school an Intelligence...

...only others would do likewise. Byron-Maddalo sees the madman as a sort of poet manqu6: [Maddalo] said: 'Most wretched men Are cradled into poetry by wrong,...They learn in suffering what they teach in song.' (544-56) Julian-Shelley remarks upon the "deep tenderness" that the maniac has wrought within him....

...and Shelley's Count Maddalo (Byron) indicates the psychological aspect of it when he tells Julian: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. (Julian and Maddalo, 11. 544-46) For Byron, this myth is epitomized in the repeated 'falls' which centre...

...fire, Red Mond Star Light calls out for another song, for the youth seems enraptured by his poetry. 253 Most wretched men Are cradled into poetry by wrong; They learn in suffering what they teach in song, the old man begins in ominous tones. She is reminded of the better storytellers of her home when they...

...gives voice to the madman. And when Bysshe utters the words left in Julian's mind by Count Maddalo — Most wretched men Are cradled into poetry by wrong. They learn in suffering what they teach m song ("Julian and Maddalo" II. N44-4-'i) — we hear behind them a mad laughter that is also Byron's....

...nineteenth century in England Take physic, pomp; Expose thyself to feel what wretches feel. — Shakespeare Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. —Shelley On summer nights — such nights as these — We're troubled very much with fleas. They...