...of the tower, sings "Batter my heart, three person'd God." The most telling lines may be the last: "for I / Except you enthrall me, never shall be free, / Nor ever chaste, except you ravish me." The aria is in the key of D minor, in the manner of a Renaissance lament, with a hint of synagogue...

...of the tower, sings "Batter my heart, three person'd God." The most telling lines may be the last: "for I / Except you enthrall me, never shall be free, / Nor ever chaste, except you ravish me." The aria is in the key of D minor, in the manner of a Renaissance lament, with a hint of synagogue...

...rape that leads to the male violence of God in history. Take me to you, imprison me, for I, Except y' enthrall me, never shall be free, Nor ever chaste except you ravish me. (31) The invective against the great whore of Babylon, the Goddess Ishtar anathema capitalized: "And...

...loved fain, But am betrothed unto your enemy. Take me to you, imprison me, for I, Except you enthral me, never shall be free, Nor ever chaste except you ravish me. (Holy Sonnets, \u,) Emily Dickinson describes "the Bolt" that she would not exchange For all the rest...

...proves weak or untrue. Yet dearly I love you, and would be loved fain, But am betrothed unto your enemy: Divorce me, untie or break that knot again, Take me...shall be free, Nor ever chaste, except you ravish me. Im ersten Quartett bittet der Meditierende darum, von Gott gezüchtigt zu werden. Die Verse sind nach...

...weak or untrue. Yet dearly I love you, and would be loved fain, But am betrothed unto your enemy: 10 Divorce me, untie, or break that knot again; Take me to you, imprison me, for I Except you enthral me, never shall be free, Nor ever chaste, except you ravish me. Jeremy Rifkin wrestles with...

...Indifference. She wanted to cry out with Donne, 'Take me to you, imprison me, for I, except you enthral me, never shall be free, nor ever chaste, except you ravish me. "' "If you wish to have my audience, Father Moses," Father Jose sniffed and searched for his handkerchief....

...proves weak or untrue. Yet dearly I love you, and would be loved fain, But am betrothed unto your enemy; Divorce me, untie or break that knot again; Take me...shall be free, Nor ever chaste, except you ravish me. Finally, a "slave" confronts a lover. Within this direct confrontation are moments when Shakespeare...

..."Batter my heart, Three Personed God," and ends with two paradoxical metaphors, the last fiercely sexual: Take me to you, imprison me, for I, Except you enthrall...shall be free Nor ever chaste, except you ravish me. And the third example comes from a friend, Theodore Loder, the minister of the "sanctuary" church in...

...to break, blow, burn, and make me new/ . . . Yet dearly I love you, and would be loved fain,/ . . . Take me to you, imprison me, for I/ Except you enthrall...be free,/ Nor ever chaste, except you ravish me." Here again, we see how Foucault's S/M program deserves our careful critical attention not so much as...