 | Kenneth Muir - 2005 - 224 Seiten
...Hamlet's attack on cosmetics both in his scene with Ophelia and in the graveyard where he tells Yorick: 'Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come.' But the speech is also linked with the discussion of the purpose of playing and the... | |
 | Lance Lee - 2010 - 273 Seiten
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 | Rhonda Wilcox - 2005 - 260 Seiten
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 | William Shakespeare - 2005 - 900 Seiten
...that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come. Make her laugh at that. Prithee, Horatio, tell me one thing. HORATIO What's that, my... | |
 | Peter Holland - 2005 - 396 Seiten
...that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop-fallen! Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favour she must come. Make her laugh at that. (5.1.171-80) This powerful memento mori, a theatrical confrontation... | |
 | Catherine E. Ingrassia, Jeffrey S. Ravel - 2005 - 364 Seiten
...blazoned upon the skin, may ultimately hasten one's end. Like Hamlet's address to Yorick's skull — "Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favor she must come"cosmetics remind the mercurial woman that she cannot — as one contemporary observer... | |
 | Chris Crawford - 2005 - 388 Seiten
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 | Jeremy J. Smith - 2005 - 268 Seiten
...Now get you to my Ladies Chamber, and tell her, let her paint an inch thicke. to this fauour she must come. Make her laugh at that: prythee Horatio tell me one thing. Hor. What's that my Lord? Ham. Dost thou thinke Alexander lookt o'this fashion i'th' earth? Hor. E'ene so. Ham. And smelt so?... | |
 | John R. Dorsey - 2005 - 236 Seiten
...but it is the slow and continuous that has the deeper meaning, and we all know what it is. Get thee to my lady's chamber and tell her let her paint an inch thick, to this favor she must come. THE RENAISSANCE OF EMOTION Memory, mourning sculpture, by Hans Schuler, 7907,... | |
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I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let... 
