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" The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade... "
The Plays - Seite 102
von William Shakespeare - 1824
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Shakespeare's Universal Wolf: Studies in Early Modern Reification

Hugh Grady - 1996 - 270 Seiten
...not these woods More free from peril than the envious court? Here feel we not the penalty of Adam, The seasons' difference, as the icy fang And churlish...counsellors That feelingly persuade me what I am.' (ni 2-11) The Duke quite clearly situates utopia in a realm where signification is unproblematic, where...
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Shakespeare and Masculinity

Bruce R. Smith - 2000 - 194 Seiten
...in exile,' Duke Senior begins his encomium of the greenwood. Here feel we not the penalty of Adam, The seasons' difference, as the icy fang And churlish...counsellors That feelingly persuade me what I am'. (2.1.1,5-11) The appearance of Hymen, titular deity of marriage, in the final scene gives sanction...
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As You Like it

William Shakespeare - 2000 - 164 Seiten
...splendor (of the court) Here feel we not the penalty of Adam; s The seasons' difference, as the icy fang 6 And churlish chiding of the winter's wind, '> Which,...cold, I smile and say "This is no flattery"; these are counselors 10 That feelingly persuade me what I am. n Sweet are the uses of adversity, Which, like...
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莎士比亞通論: 喜劇

顏元叔 - 2001 - 838 Seiten
...not these woods More free from peril than the envious court? Here feel we not the penalty of Adam, The seasons' difference, as the icy fang And churlish...persuade me what I am.' Sweet are the uses of adversity, Which like the toad, ugly and venomous, Wears yet a precious jewel in his head; And this our life,...
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Irresistible Shakespeare

Carol Rawlings Miller - 2001 - 84 Seiten
...Adam, The seasons' difference, as the icy fang And churlish chiding of the winter's wind, scolding Which, when it bites and blows upon my body, Even...persuade me what I am.' Sweet are the uses of adversity. And this our life exempt from public haunt Finds tongues in trees, books in the running brooks, Sermons...
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Lectures on Shakespeare

Wystan Hugh Auden - 2002 - 428 Seiten
...not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, The seasons' difference; as, the icy fang And churlish...persuade me what I am." Sweet are the uses of adversity, Which, like the toad, ugly and venemous, Wears yet a precious jewel in his head; And this our life,...
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Dear Colleague: Common and Uncommon Observations

Yi-fu Tuan - 2002 - 246 Seiten
...woods More free from peril than the envious court? Here feel we but the penalty of Adam, The season's difference, as the icy fang And churlish chiding of...counsellors That feelingly persuade me what I am." — As You Like It, Act 2, Scene 1 I can stand before a giant boulder lost in awe and admiration. What...
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The Wisdom of Shakespeare

William Shakespeare - 2002 - 244 Seiten
...not these woods More free from peril than the envious court? Here feel we not the penalty of Adam, The seasons' difference, as the icy fang And churlish...cold, I smile and say 'This is no flattery: these are counselors That feelingly persuade me what I am.' Sweet are the uses of adversity, Which, like the...
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The Shakespearian Tempest: With a Chart of Shakespeare's Dramatic Universe

G. Wilsin Knight - 2002 - 368 Seiten
...conclude the play. Hence also the Duke's speech in As You Like It: Here feel we but the penalty of Adam, The seasons' difference, as the icy fang And churlish...shrink with cold, I smile and say 'This is no flattery . . .'. (ni 5) Therefore Hell itself in Claudio's speech is imaged in terms not only of fire but of...
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Shakespeare Survey, Band 4

Allardyce Nicoll - 2002 - 208 Seiten
...the central idea of our production, and its optimism is expressed in the words of the banished Duke: the winter's wind, Which, when it bites and blows...counsellors That feelingly persuade me what I am. The polarity of sadness and joy, of reason and heart, was therefore the leading principle of the staging...
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