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" ... to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an... "
The Prelude to Poetry: The English Poets in the Defence and Praise of Their ... - Seite 155
herausgegeben von - 1897 - 217 Seiten
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Specimens of Modern English Literary Criticism

William Tenney Brewster - 1907 - 424 Seiten
...the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence...neither feel nor understand. With this view I wrote the A ncicnt Mariner, and was preparing, among other poems, the Dark Ladie, and the Christabel, in which...
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Wordsworth and His Circle

David Watson Rannie - 1907 - 422 Seiten
...lethargy of custom, and directing it to the loveliness and the wonders of the world before us ; an inexhaustible treasure, but for which, in consequence...not, and hearts that neither feel nor understand." " To excite a feeling analogous to the supernatural ; " that was the end which Wordsworth proposed...
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Biographia Literaria, Band 2

Samuel Taylor Coleridge - 1907 - 348 Seiten
...lethargy !0 of custom, and directing it to the loveliness and the wonders of the world before us ; an inexhaustible treasure, but for which, in consequence...not, and hearts that neither feel nor understand. 15 With this view I wrote " The Ancient Mariner," and was preparing among other poems, " The Dark Ladie,"...
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Arktouros: Hellenic Studies Presented to Bernard M. W. Knox on the Occasion ...

Glen Warren Bowersock, Walter Burkert, Michael C. J. Putnam - 1979 - 490 Seiten
...the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which in consequence...ears that hear not, and hearts that neither feel nor understand."7 Coleridge's words, "feeling analogous to the supernatural," should remind us that Rudolf...
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The Romantic Age in Prose: An Anthology

Alan W. Bellringer, C. B. Jones - 1980 - 176 Seiten
...the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which in consequence...not, and hearts that neither feel nor understand. ...But the communication of pleasure may be the immediate object of a work not metrically composed;...
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More Nineteenth Century Studies: A Group of Honest Doubters

Basil Willey - 1980 - 310 Seiten
...but for which, in consequence of the veil of familiarity and selfish solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand'. It was for the poet to be 'a priest to us all Of the wonder and bloom of the world'; through the deep...
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Biographia Literaria, Or, Biographical Sketches of My Literary Life ..., Teil 1

Samuel Taylor Coleridge - 1984 - 860 Seiten
...the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which in consequence...ears that hear not, and hearts that neither feel nor understand.2 With this view I wrote the "Ancient Mariner," and was preparing among other poems, the...
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The Cambridge History of Literary Criticism: Volume 5, Romanticism

George Alexander Kennedy, Marshall Brown - 1989 - 532 Seiten
...the lethargy of custom and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence...not, and hearts that neither feel nor understand. Coleridge's formulation shows that much in Wordsworth that is not overtly religious may be deemed ancillary...
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Gender, I-deology: Essays on Theory, Fiction and Film

Chantal Cornut-Gentille D'Arcy, José Angel García Landa - 1996 - 502 Seiten
...the lethargy of custom and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence...of familiarity and selfish solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand. (Coleridge 1975: 169)...
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Gender, I-deology: Essays on Theory, Fiction and Film

Chantal Cornut-Gentille D'Arcy, José Angel García Landa - 1996 - 486 Seiten
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand. (Coleridge 1975: 169) Something similar is happening in the philosophy of gender. Theorists of sexuality...
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